Rosso’s subject wears a voilette, a veiled hat designed to offer protection against the dusty bustling streets of nineteenth-century Paris. The hat’s brim and the woman’s face and torso emerge from the wax-coated plaster and extend outward to suggest the air and space around her, revealing Rosso’s desire to make the still medium of sculpture render subjects in motion and over time. More supple and fugitive than bronze, melted wax was especially suited to Rosso’s aim to capture the experience of fleeting urban sights—in this case a passerby—and to infuse sculpture with “more air, more light, more space!”
2019
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Medardo Rosso
Italian, 1858–1928 2 works onlineIs sculpture boring? This question animated the life and work of Italian artist Medardo Rosso. Around the time he was studying at the Accademia di Belle Arti di Brera in Milan, the young Rosso encountered a text that would galvanize his career.
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1. A detailed three-dimensional representation, usually built to scale, of another, often larger, object. See also, Architectural Model ); 2.
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