Ernst Ludwig Kirchner. As Josua Grübler Found his Way: Josua and Priska (in-text plate, page 214) from Neben der Heerstrasse (Off the Main Road)

Ernst Ludwig Kirchner

As Josua Grübler Found his Way: Josua and Priska (in-text plate, page 214) from Neben der Heerstrasse (Off the Main Road)

1923

Woodcut from an illustrated book with twenty-four woodcuts

Not on view

Using the woodcut technique, Ernst Ludwig Kirchner created twenty-two illustrations, the title page, and the cover for this collection of six novellas by Swiss author Jakob Bosshart.

Kirchner met Bosshart in Davos-Frauenkirch, Switzerland, the Alpine village to which the artist had moved in 1918. Bosshart, like Kirchner, had originally come to Davos seeking alleviation for his depression. Artist and writer were each captivated with the other's work, and presumably around the summer and fall of 1922, Kirchner began to create the woodcuts for Bosshart's texts.

Bosshart's novellas, written between 1917 and 1922, feature peculiar characters off the beaten track. The protagonists are predominantly village people struggling with a variety of moral conflicts, often triggered by the challenges of modernization. Kirchner's affinity for Bosshart's texts was likely related to his own interest in the vernacular traditions and folk culture of the area.

Publication excerpt from

Iris Schmeisser, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011.

Author Jakob Bosshart
Medium Woodcut from an illustrated book with twenty-four woodcuts
Dimensions composition: 2 3/8 x 3 1/16" (6.1 x 7.7 cm); page: 7 1/2 x 5 1/8" (19 x 13 cm)
Publisher Verlag von Grethlein & Co., Zürich/Leipzig
Printer E. Haberland, Leipzig, Germany
Edition unknown; plus special edition of 120
Credit Gift of G. David Thompson
Object number 210.1964.16
Department Drawings and Prints

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Ernst Ludwig Kirchner

Ernst Ludwig Kirchner

German, 1880–1938 176 works online

In 1905, painter and printmaker Ernst Ludwig Kirchner, along with Fritz Bleyl, Erich Heckel , and Karl Schmidt-Rottluff —all untrained in the visual arts—founded the artists’ group Die Brücke , or “The Bridge,” a moment that is now considered the birth of German Expressionism.

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