Ray Tomlinson @ 1971

  • Not on view

Some scholars believe the @ symbol dates as far back as the sixth century; others believe that it originated in 16th-century Venetian trade as an abbreviation of “amphora,” a terra-cotta vessel whose size became a standard unit of measure. Since the 19th century, @ has appeared on standard keyboards as the “commercial a,” used mostly by accountants. In 1971, when Tomlinson created the world’s first email system for the US government’s Advanced Research Projects Agency Network (ARPANET), he adopted @ as a stand-in for the technical programming language indicating a message’s destination—repurposing an underused symbol for a brand-new technology.

Gallery label from Never Alone: Video Games and Other Interactive Design, September 10, 2022–July 16, 2023
Additional text

Some scholars believe the @ symbol dates back to the sixth century, when scribes simplified the Latin word ad (at) by exaggerating the upstroke of the letter d and curving it over the a. Others believe that the symbol had its genesis in sixteenth-century Venetian trade as an abbreviation for amphora, a standard-size terra-cotta vessel employed by merchants that became a unit of measure. The word à in Norman French might be another source for @, which was adopted in northern Europe to mean "each at," indicating price, its accent eventually becoming @'s curl. Since the nineteenth century, @ has appeared on standard typewriter and computer keyboards as the "commercial a," used, until fairly recently, almost exclusively by accountants to mean "at the rate of."

In 1967, Tomlinson joined the technology company Bolt Beranek and Newman, where in 1971 he created the world's first e-mail system for the United States government's Advanced Research Projects Agency Networks (ARPAnet). He adopted @ as a stand-in for the long and convoluted programming language indicating a message's destination. This was a design decision of extraordinary elegance and economy—repurposing an existing, available, and underutilized symbol to adapt the standard keyboard to a revolutionary new technology. The sign's new function is in keeping with its origins: in computer language, as in financial transactions, @ designates a relationship between two entities, establishing a link based on objective and measurable rules. The sign is now part of everyday life all over the world, demonstrated by the affectionate names it has in different cultures. Germans, Poles, and South Africans call @ "monkey's tail," Chinese see a little mouse, and Italians and French a snail. The Finnish know it as the miukumauku, the "sign of the meow," because it resembles a curled-up sleeping cat.

Gallery label from Born Out of Necessity, March 2, 2012–January 28, 2013
Medium
ITC American Typewriter Medium
Object number
151.2010
Department
Architecture and Design

Installation views

We have identified these works in the following photos from our exhibition history.

How we identified these works

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

If you notice an error, please contact us at [email protected].

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].