“I was interested in the transparency of volume, so that a form could be appreciated fully from all angles of observation,” Gego noted. Working across architecture, sculpture, drawing, and printmaking, Gego started in 1969 to focus on volume and the expansive properties of the line in space. Her suspended sculptures involved exercises in folding, deforming, and misaligning the grid’s orthogonal axes. By the 1980s, Gego’s three-dimensional assemblages included refuse as well as recycled fragments of other works. Registering movements in the air, these works are often described as “drawings in space.”
Gallery label from Sur moderno: Journeys of Abstraction—The Patricia Phelps de Cisneros Gift, October 21, 2019–March 14, 2020
