A term coined by Russian artist Kazimir Malevich in 1915 to describe a new mode of abstract painting that abandoned all reference to the outside world. His new style claimed "the supremacy of pure feeling or perception in the pictorial arts" and rejected the deliberate illusions of representational painting. Using the basic components of painting’s language—color, line, and brushwork—he constructed a visual vocabulary of colored geometric shapes floating against white backgrounds, which he felt mapped the boundless space of the ideal.