A bedsheet hand-printed with a rubber laundry stamp, a taxidermied bald eagle affixed to a canvas, a car compacted by a hydraulic press—these are just some of the repurposed materials used by international artists working from the mid-1950s to early 1960s. Sculptors, choreographers, composers, and painters blended their practices and challenged categorization by incorporating readymade goods, symbols, and even trash into their works. Collaboration reigned as friends and lovers from various fields worked with one another to expand the meaning of art to include the world around it.
Collection 1940s–1970s
408
Stamp, Scavenge, Crush
408
Stamp, Scavenge, Crush
Floor 4
MoMA
- MoMA, Floor 4, 408 The David Geffen Wing
21 works online
-
Ruth Asawa Untitled (BMC.145, BMC Laundry Stamp) c. 1948–49 -
Romare Bearden Prevalence of Ritual/Conjur Woman No.1 1964 -
Lee Bontecou Untitled 1961 -
César (César Baldaccini) The Yellow Buick 1961 -
Merce Cunningham, Arne Arnbom Antic Meet 1964
-
Sari Dienes Soho Sidewalk c. 1953–55 -
Jasper Johns Target with Four Faces 1955 -
Jasper Johns Flag 1954-55 (dated on reverse 1954) -
Jasper Johns Painted Bronze 1960 -
Daniel LaRue Johnson Freedom Now, Number 1 August 13, 1963 - January 14, 1964 -
Marisol (Marisol Escobar) Love 1962 -
Robert Rauschenberg Canyon 1959 -
Robert Ryman Untitled 1961 -
Niki de Saint Phalle Shooting Painting American Embassy 1961 -
Daniel Spoerri Kichka's Breakfast I 1960 -
Atsuko Tanaka Untitled 1956 -
Cy Twombly Academy New York 1955 -
Cy Twombly Untitled New York 1955 (some cloth added in Philadelphia in 1975)
-
Jacques Villeglé 122 rue du temple 1968 -
Katsuhiro Yamaguchi Voice 1962 -
Katsuhiro Yamaguchi Voice 1963
Installation images
MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.
If you notice an error, please contact us at digital@moma.org.
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to archives@moma.org.
This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.