Women’s Film Preservation Fund Program

Jun 9, 2006

MoMA

The Women’s Film Preservation Fund (WFPF), part of New York Women in Film and Television (NYWIFT), was established in 1995 in association with MoMA to preserve American films in which women have played a significant creative role. Since its founding, this important initiative has supported the preservation of over 60 films made between 1912 and 1990, including the works of such germinal cinematic figures as Mary Ellen Bute, Gunvor Nelson, Storm de Hirsch, Maya Deren, and the pioneer of all women filmmakers, Alice Guy-Blaché. The only fund of its kind in the world, WFPF is dedicated to saving the cultural legacy of women in film history and publicizing the need for film preservation.

Organized with the cooperation of NYWIFT, Lois Bianchi, Suzanne Pancrazi, and Drake Stutesman.

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to archives@moma.org.

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.