Terence Davies: From the Collection

Jan 15–17, 2009

MoMA

The House of Mirth. 2000. Great Britain. Directed by Terence Davies

British director Terence Davies has established an international reputation as a leading film artist despite having only five features and one trilogy of short films to his credit. Davies has pioneered a “cinema of reminiscence,” distinguished by exquisite craftsmanship, astringent recall, and genuine depth of feeling. Born in 1945 into a large, working-class Liverpudlian family, Davies frequently weaves autobiographical strains into his films—even in his adaptations of others’ novels—expanding and enriching the personal until it becomes universally relevant to human experience. Family, music, gender, and sexuality are important themes in every Davies film, and all are inflected with measures of guilt, comfort, and, always, beauty. All films are from Great Britain and directed by Terence Davies.

Organized by Laurence Kardish, Senior Curator, Department of Film.

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].