MoMA Presents

Liza Béar’s Force of Circumstance

May 24–30, 2023

MoMA

Force of Circumstance. 1990. USA. Directed by Liza Béar. The Museum of Modern Art, New York
  • MoMA, Floor T2/T1 The Debra and Leon Black Family Film Center

Aptly described by Liza Béar as “an American foreign film,” Force of Circumstance returns to the Museum after its 1991 Cineprobe premiere in a new MoMA digital preservation overseen by the artist. The 1981 Casablanca bread riots—whose more than a thousand civilian casualties, victims of King Hassan II’s repressive regime, received only a passing mention in the New York Times—inspired this offbeat political drama. US-Moroccan relations are the backdrop for the crisscrossing intrigues of four characters pursuing each other across Washington, DC: a young Moroccan activist on a mission to deliver crucial documents to an American reporter; an envoy for the king tasked with securing a stateside estate for his royal boss; and the property’s owner, caught between the deal and his politically minded girlfriend. Extensively researched and impressively produced—with fine production design recreating a low-budget Casablanca shantytown—the film’s even-handed consideration of politics and personal ethics is uniquely informed by Liza Béar’s illustrious career in artist-run media (as cofounder of Avalanche magazine and producer of the Manhattan cable series Communications Update). Yet Force also shares in the deadpan style and minimalist sensibility of its Lower Manhattan artistic milieu, and delights with its memorable, sardonic, and humorous ensemble performances.

Organized by Sophie Cavoulacos, Associate Curator, Department of Film.

  • This film series is part of MoMA Presents.

    Film at MoMA is made possible by CHANEL.

    Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, and Karen and Gary Winnick.

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