Pętla (The Noose). 1958. Poland. Directed by Wojciech Has. Courtesy of Film Studio Kadr

Pawel Pawlikowski, director of the Academy Award–winning Ida, has called Wojciech Has (1925–2000) “a completely unrecognized genius, probably the most talented Polish director since the war, with his own sensibility and vision.”

Celebrating the publication of Annette Insdorf’s Intimations: The Cinema of Wojciech Has (Northwestern University Press, 2017), MoMA presents the New York premiere theatrical runs of Has’s feature debut, The Noose (1958), an expressionistic portrait of an alcoholic at the end of his rope; and How to Be Loved (1963), a chamber piece involving a famous radio actress haunted by her wartime past. Insdorf, a professor of film at Columbia University’s School of the Arts, and moderator of the "Reel Pieces" series at Manhattan’s 92nd Street Y, will introduce the opening-night screenings on April 27, and will also sign copies of her book on May 3 at 6:00 p.m. before introducing How to Be Loved at 6:30.

Organized by Joshua Siegel, Curator, Department of Film, The Museum of Modern Art. Presented in association with The Adam Mickiewicz Institute (Grzegorz Skorupski) and the KADR Studio, Warsaw.

Special thanks to Hanna Hartowicz, New York Polish Film Festival; and Tomek Smolarski, Polish Cultural Institute New York.

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

If you would like to license audio or video footage produced by MoMA, please contact Scala Archives (all geographic locations) at firenze@scalarchives.com.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.