Exhibition history

Amanda Williams. Currency Exchange, Safe Passage, from the Color(ed) Theory Suite. 2014–16. Pigmented inkjet print, 22 × 30" (55.9 × 76.2 cm). Fund for the Twenty-First Century

216: Building Citizens

Ongoing

MoMA

Collection gallery

David Hammons. Free Nelson Mandela. 1987. Stencil on versos of torn and layered billboard papers, composition: 20 5/8 × 23 5/8" (52.4 × 60 cm); sheet (irreg): 28 13/16 x 28 9/16" (73 x 72.5 cm), Publisher: unpublished. Printer: the artist, New York. Edition: unique. John B. Turner Fund. © 2019 David Hammons

414: City as Stage

Fall 2019–Fall 2020

MoMA

Collection gallery

FORTY

Jun 19–Aug 28, 2016

MoMA PS1

Greater New York

Oct 11, 2015–Mar 7, 2016

MoMA PS1

Frederick Kiesler. Endless House. Project 1950–60; model 1958. Gelatin silver print, 8 x 10" (25.4 x 20.3 cm). Department of Architecture and Design Study Center. Photo: George Barrows

Endless House: Intersections of Art and Architecture

Jun 27, 2015–Mar 6, 2016

MoMA

John Baldessari (American, b. 1931). Hands Framing New York Harbor from Pier 18. 1971. Photograph by Shunk-Kender (Harry Shunk [German, 1924–2006] and János Kender [Hungarian, 1937–2009]). Gelatin silver print, 7 3/8 × 9 15/16" (18.8 × 25.2 cm). The Museum of Modern Art, New York. Gift of the Roy Lichtenstein Foundation in honor of Jennifer Winkworth and Kynaston McShine and in memory of Harry Shunk and János Kender. © 2015 John Baldessari. Photograph: Shunk-Kender © J. Paul Getty Trust. The Getty Research Institute, Los Angeles

Art on Camera: Photographs by Shunk-Kender, 1960–1971

May 17–Oct 4, 2015

MoMA

MoMA Media Lounge

Feb 29, 2012–Jul 8, 2013

MoMA

Jason Crum (American, 1935–2004). Project for a Painted Wall, New York City, New York. Perspective. 1969. Gouache on photograph. 30 × 20″ (76.2 × 50.8 cm). The Museum of Modern Art, New York. Purchase, 1969

9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design

Sep 12, 2012–Jun 9, 2013

MoMA

El Lissitzky. Self-Portrait. 1924. Gelatin silver print, 3 × 3 3/8″ (7.6 × 8.5 cm). The Museum of Modern Art, New York. Thomas Walther Collection. Purchase. © 2011 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

The Shaping of New Visions: Photography, Film, Photobook

Apr 16, 2012–Apr 21, 2013

MoMA

Mary Lucier. Dawn Burn (detail). 1975. Seven monitors of increasing sizes from 15 to 25 inches diagonal; slide projector mounted on wall; seven-channel video converted from ½-inch, open-reel tape to DigiBeta and DVD (black and white, silent); one color slide (34:00 min., continuous). Structure: 7’3”–8’ 2” x 20’ (approx.) x 20”–27”. Collection San Francisco Museum of Modern Art.Accessions Committee Fund: gift of Doris and Donald Fisher, Marion E. Greene, Evelyn and Walter Haas, Jr., and Leanne B. Roberts, 1991. © 2011 Mary Lucier

September 11

Sep 11, 2011–Jan 9, 2012

MoMA PS1

Kerry James Marshall. Study for Blue Water, Silver Moon. 1991. Conté crayon and watercolor on paper, 49 3/4 x 38 1/8" (126.4 x 96.8 cm). The Museum of Modern Art. Purchased with General Acquisitions Funds and funds provided by The Friends of Education of The Museum of Modern Art. © 2010 Kerry James Marshall

Contemporary Art from the Collection

Jun 30, 2010–Sep 19, 2011

MoMA

Anna Maria Maiolino. Desde A até M (From A to M), from the series Mapas Mentais (Mental Maps). 1972–99. Thread, synthetic polymer paint, ink, transfer type, and pencil on paper, 19 5/8 × 19 1/2″ (49.8 × 49.5 cm). The Museum of Modern Art, purchase

On Line: Drawing Through the Twentieth Century

Nov 21, 2010–Feb 7, 2011

MoMA

Bruce Nauman. *Waxing Hot, from the portfolio Eleven Color Photographs. 1966–67/1970/2007. Inkjet print (originally chromogenic color print), 19 15/16 × 19 15/16″ (50.6 × 50.6 cm). Museum of Contemporary Art, Chicago. Gerald S. Elliott Collection. © 2010 Bruce Nauman/Artists Rights Society (ARS), New York

The Original Copy: Photography of Sculpture, 1839 to Today

Aug 1–Nov 1, 2010

MoMA

Amelie von Wulffen. German, born 1966. Untitled. 2003. Cut-and-pasted chromogenic color print, synthetic polymer paint, and ink on paper, 47 × 68 1/2″ (119.4 × 174 cm). The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2009 Amelie von Wulffen

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Apr 22, 2009–Jan 4, 2010

MoMA

Digital wallpaper of Kelley Walker’s nine disasters (Florida City; Maui; Moran; San Fernando Valley; Anchorage; Kobe; Elba; Los Angeles; TWA Flight 800)

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Apr 22, 2009–Jan 4, 2010

MoMA

Ellsworth Kelly. Yellow from the series Line Form Color. 1951. Colored Paper. 7 1/2 × 8″ (19 × 20.3 cm). Gift of the artist and purchased with funds provided by Jo Carole and Ronald S. Lauder, Sarah-Ann and Werner H. Kramarsky, Mr. and Mrs. James R. Hedges, IV, Kathy and Richard S. Fuld, Jr. and Committee on Drawings Funds. © 2008 Ellsworth Kelly

Artist’s Choice: Vik Muniz, Rebus

Dec 11, 2008–Feb 23, 2009

MoMA

László Moholy-Nagy. Yellow Circle. 1921. Oil on canvas. 53 1/8 × 45″ (135 × 114.3 cm). The Riklis Collection of McCrory Corporation. © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Geometry of Motion 1920s/1970s

Mar 19–Jul 28, 2008

MoMA

Joseph Beuys. Untitled (Sun State). 1974. Chalk on painted board with wood frame, 47 1/2 × 7 11/8″ (120.7 × 180.7 cm). The Museum of Modern Art. Gift of Abby Aldrich Rockefeller (by exchange) and acquired through the Lillie P. Bliss Bequest (by exchange). © 2007 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn

Live/Work: Performance into Drawing

Jan 31–May 21, 2007

MoMA

The Museum of Modern Art Archives, New York

Defamation of Character

Oct 29, 2006–Jan 15, 2007

MoMA PS1

Into Me/Out of Me

Jun 25–Sep 25, 2006

MoMA PS1

Dana Schutz. Presentation. 2005. Oil on canvas, 10 × 14′ (304.8 × 426.7 cm). Fractional and promised gift of Michael and Judy Ovitz. © 2016 Dana Schutz

Take Two. Worlds and Views: Contemporary Art from the Collection

Sep 14, 2005–Mar 21, 2006

MoMA

Contemporary: Inaugural Installation

Nov 20, 2004–Jul 11, 2005

MoMA

Photography: Inaugural Installation

Nov 20, 2004–Jun 6, 2005

MoMA

Lorna Simpson. Wigs (Portfolio). 1994. Portfolio of 21 lithographs on felt, with 17 lithographed felt text panels, overall: 6′ × 13′ 6″ (182.9 × 411.5 cm). Purchased with funds given by Agnes Gund, Howard B. Johnson, and Emily Fisher Landau. © 2017 Lorna Simpson. Photo: John Wronn

Open Ends

Sep 28, 2000–Mar 4, 2001

MoMA

Gordon Matta-Clark: Reorganizing Structure by Drawing Through It

Apr 26–Aug 30, 1998

MoMA PS1

Model Home

Feb 8–Mar 31, 1996

MoMA PS1

The Detective Show

May 7–Jun 30, 1978

MoMA PS1

New Art for the New Year

Feb 13–Apr 9, 1978

MoMA

New York Avant-Garde/Works and Projects of the Seventies

Oct 9–Nov 6, 1977

MoMA PS1

Bookworks

Mar 17–May 30, 1977

MoMA

Rooms

Jun 9–26, 1976

MoMA PS1

Artists Make Toys

Jan 1–25, 1975

MoMA PS1

Discussions: Works/Words

May 11–Jun 30, 1974

MoMA PS1

The Brooklyn Bridge Event

May 21–24, 1971

MoMA PS1

Exhibition history

216: Building Citizens

Collection gallery

414: City as Stage

Collection gallery

FORTY

Greater New York

Endless House: Intersections of Art and Architecture

Art on Camera: Photographs by Shunk-Kender, 1960–1971

MoMA Media Lounge

9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design

The Shaping of New Visions: Photography, Film, Photobook

September 11

Contemporary Art from the Collection

On Line: Drawing Through the Twentieth Century

The Original Copy: Photography of Sculpture, 1839 to Today

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection

Artist’s Choice: Vik Muniz, Rebus

Geometry of Motion 1920s/1970s

Live/Work: Performance into Drawing

Defamation of Character

Into Me/Out of Me

Take Two. Worlds and Views: Contemporary Art from the Collection

Contemporary: Inaugural Installation

Photography: Inaugural Installation

Open Ends

Gordon Matta-Clark: Reorganizing Structure by Drawing Through It

Model Home

The Detective Show

New Art for the New Year

New York Avant-Garde/Works and Projects of the Seventies

Bookworks

Rooms

Artists Make Toys

Discussions: Works/Words

The Brooklyn Bridge Event

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