Exhibition history

Showing 11 out of 5,092 exhibitions online

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Peter Fischli and David Weiss. Snowman. 1987/2016. Copper, aluminum, glass, water, and coolant system, 85 7/8 x 50 3/8 x 65" (218 x 128 x 165 cm). Courtesy Matthew Marks Gallery. © Peter Fischli and David Weiss

If Everything Is Sculpture Why Make Sculpture? Artist’s Choice: Peter Fischli

Jun 12, 2018–May 10, 2019

MoMA

The Museum of Modern Art Archives, New York

Contemporary Collection

Nov 16, 2011–Feb 9, 2014

MoMA

Shown, from back: Joan Miró. Moonbird. 1966. Bronze, 7' 6" x 6' 6" x 57" (228.5 x 198.2 x 144.9 cm). Nina and Gordon Bunshaft Bequest. © 2012 Successió Miró/Artists Rights Society (ARS), New York/ADAGP, Paris; Aristide Maillol. The River. Begun 1938–39; completed 1943 (cast 1948). Lead, 53 3/4" x 7' 6" x 66" (136.5 x 228.6 x 167.7 cm), on lead base designed by the artist 9 3/4 x 67 x 27 3/4" (24.8 x 170.1 x 70.4 cm). Printer: Alexis Rudier. Mrs. Simon Guggenheim Fund. © 2012 Artists Rights Society (ARS), New York/ADAGP, Paris

Figure in the Garden

May 20, 2011–Jul 17, 2013

MoMA

Ellsworth Kelly. Colors for a Large Wall. (1951). Oil on canvas. Sixty-four wood panels, overall: 7′ 10 1/2″ × 7′ 10 1/2″ (240 × 240 cm). The Museum of Modern Art, New York. Gift of the artist © 2008 Ellsworth Kelly

Color Chart: Reinventing Color, 1950 to Today

Mar 2–May 12, 2008

MoMA

Olafur Eliasson. The Colour Spectrum Series. 2005. Forty-eight framed photogravures, each: 13 9/16 x 17 15/16" (34.5 x 45.5 cm). Publisher and printer: Niels Borch Jensen, Copenhagen. Edition: 18. The Museum of Modern Art, New York. Riva Castleman Endowment Fund. © 2006 Olafur Eliasson

Eye on Europe: Prints, Books & Multiples/1960 to Now

Oct 15, 2006–Jan 1, 2007

MoMA

Jacques de la Villeglé. 122 rue du Temple. 1968. Torn and collaged painted and printed paper on linen, 62 5/8″ × 6' 10 3/4″ (159.2 × 210.3 cm). Gift of Joachim Aberbach (by exchange). © 2004 Artists Rights Society (ARS), New York/ADAGP, Paris

Modern Means: Continuity and Change in Art, 1880 to Now

Apr 28–Aug 1, 2004

MoMA

Sylvie Fleury. His Mistress’ Toy (for Parkett no. 58). 2000. Multiple of polyurethane shoe with integrated noisemaker, Overall: 4 7/16 × 3 3/4 × 7 11/16″ (11.2 × 9.5 × 19.5 cm). Roxanne H. Frank Fund

Collaborations with Parkett: 1984 to Now

Apr 5–Jun 5, 2001

MoMA

Lorna Simpson. Wigs (Portfolio). 1994. Portfolio of 21 lithographs on felt, with 17 lithographed felt text panels, overall: 6′ × 13′ 6″ (182.9 × 411.5 cm). Purchased with funds given by Agnes Gund, Howard B. Johnson, and Emily Fisher Landau. © 2017 Lorna Simpson. Photo: John Wronn

Open Ends

Sep 28, 2000–Mar 4, 2001

MoMA

Around 1984: A Look at Art in the Eighties

May 21–Sep 30, 2000

MoMA PS1

Sigmar Polke. Untitled. 1971. Watercolor, gouache, and synthetic polymer paint on paper mounted on canvas, 93 1/4 × 69 3/4″ (236.9 × 177.2 cm). Gift of the Dannheisser Foundation. © 2016 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany

On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection

Sep 30, 1997–Jan 20, 1998

MoMA

Felix Gonzalez-Torres. Untitled (billboard). 1996. Gift of Werner and Elaine Dannheisser. Photo: David Allison

Thinking Print: Books to Billboards, 1980–1995

Jun 20–Sep 10, 1996

MoMA

Exhibition history

If Everything Is Sculpture Why Make Sculpture? Artist’s Choice: Peter Fischli

Contemporary Collection

Figure in the Garden

Color Chart: Reinventing Color, 1950 to Today

Eye on Europe: Prints, Books & Multiples/1960 to Now

Modern Means: Continuity and Change in Art, 1880 to Now

Collaborations with Parkett: 1984 to Now

Open Ends

Around 1984: A Look at Art in the Eighties

On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection

Thinking Print: Books to Billboards, 1980–1995

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