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Exhibition history

Explore exhibitions from The Museum of Modern Art and MoMA PS1, from MoMA’s founding in 1929 to the present. These pages are updated continually.

  • International Exhibition of Theatre Art

    Jan 15–Feb 25, 1934

    MoMA

  • The Museum of Modern Art Archives, New York

    Word and Image: Posters and Typography from the Graphic Design Collection of the Museum of Modern Art, 1879–1967

    Jan 25–Mar 10, 1968

    MoMA

  • The Museum of Modern Art Archives, New York

    Recent Acquisitions: Design Collection

    Dec 1, 1970–Jan 31, 1971

    MoMA

  • The Museum of Modern Art Archives, New York

    Painters for the Theatre: An Invitation to the Theatre Arts Collection

    Nov 19, 1973–Jan 13, 1974

    MoMA

  • The Museum of Modern Art Archives, New York

    Posters from the Collection

    Mar 26–May 19, 1976

    MoMA

  • The Museum of Modern Art Archives, New York

    The Graphic Revolution: 1915–1935

    Aug 5–Oct 31, 1977

    MoMA

  • The Museum of Modern Art Archives, New York

    Art of the Twenties

    Nov 14, 1979–Jan 22, 1980

    MoMA

  • The Museum of Modern Art Archives, New York

    Contrasts of Form: Geometric Abstract Art, 1910–1980

    Oct 2, 1985–Jan 7, 1986

    MoMA

  • The Museum of Modern Art Archives, New York

    The Modern Poster

    Jun 6–Sep 6, 1988

    MoMA

  • The Museum of Modern Art Archives, New York

    Collage: Selections from the Permanent Collection

    Nov 3, 1988–Feb 28, 1989

    MoMA

  • Painters for the Theater

    Jul 14–Nov 1, 1989

    MoMA

  • Jean (Hans) Arp. Two Heads. 1929. Painted wood relief, 47 1/4 × 39 1/4″ (120 × 99.7 cm). The Museum of Modern Art, New York. © 2000 ARS, N.Y./VG Bild-Kunst, Bonn

    Making Choices

    Mar 16–Sep 26, 2000

    MoMA

  • Jacques de la Villeglé. 122 rue du Temple. 1968. Torn and collaged painted and printed paper on linen, 62 5/8″ × 6' 10 3/4″ (159.2 × 210.3 cm). Gift of Joachim Aberbach (by exchange). © 2004 Artists Rights Society (ARS), New York/ADAGP, Paris

    Modern Means: Continuity and Change in Art, 1880 to Now

    Apr 28–Aug 1, 2004

    MoMA

  • Jan Tschichold. Die Frau ohne Namen. 1927. Offset lithograph, 48 3/4 × 34″ (123.8 × 86.4 cm). The Museum of Modern Art. Peter Stone Poster Fund

    The New Typography

    Dec 23, 2009–Jul 25, 2010

    MoMA

  • Margarete Schütte-Lihotzky (Austrian, 1897–2000). Frankfurt Kitchen from the Ginnheim- Höhenblick Housing Estate, Frankfurt-am-Main, Germany, 1926–27. Installation view of Counter Space: Design and the Modern Kitchen. The Museum of Modern Art, New York, September 15, 2010–May 2, 2011. 8′9″ × 12′10″ × 6′10″ (266.7 × 391.2 × 208.3 cm). The Museum of Modern Art, New York. Gift of Joan R. Brewster in memory of her husband George W. W. Brewster, by exchange and the Architecture & Design Purchase Fund, 2009. Photo: Jonathan Muzikar

    Counter Space: Design and the Modern Kitchen

    Sep 15, 2010–May 2, 2011

    MoMA

  • Lilly Reich. Women’s Fashion Exhibition, Berlin, Germany. View of the Velvet and Silk Café. 1927. Gelatin silver print, 8 × 10″ (20.3 × 25.4 cm). The Museum of Modern Art, New York. Mies van der Rohe Archive, gift of the architect

    How Should We Live? Propositions for the Modern Interior

    Oct 1, 2016–Apr 23, 2017

    MoMA

  • Richard Schadewell. Frankfurt (“Bauhaus”) telephone. 1929. Manufacturer: H. Fuld & Co. Telefon und Telegraphenwerke AG, Frankfurt. Bakelite, nickel-plated sheet brass and paint, 5 1/8 × 4 5/16 × 6 1/8" (13 × 11 × 15.5 cm). Gift of Jo Carole and Ronald S. Lauder

    513: Design for Modern Life

    Fall 2019–Summer 2021

    Collection gallery

    MoMA

  • Valentina Kulagina (Russian, 1902–1907). Maquette for We Are Building (Stroim). 1929. Cut-and-pasted printed and painted paper, sandpaper, gouache, and pencil on paper, 22 5/8 × 14 1/4" (57.5 × 36.2 cm). The Museum of Modern Art, New York. The Merrill C. Berman Collection. Acquired through the generosity of Alice and Tom Tisch, Jo Carole and Ronald S. Lauder, Sue and Edgar Wachenheim III, David Booth, Marlene Hess and James D. Zirin, Marie-Josée and Henry R. Kravis, Jack Shear, the Patricia Bonfield Endowed Acquisition Fund for the Design Collection, Daniel and Jane Och, The Orentreich Family Foundation, Emily Rauh Pulitzer, The Modern Women’s Fund; and by exchange: Gift of Jean Dubuffet in honor of Mr. and Mrs. Ralph Colin, The Judith Rothschild Foundation Contemporary Drawings Collection, and the Richard S. Zeisler Bequest.

    Engineer, Agitator, Constructor: The Artist Reinvented

    Dec 13, 2020–Apr 10, 2021

    MoMA

  • Paul Strand, Double Akeley, 1922, Gelatin silver print, 9 5/8 × 7 11/16" (24.5 × 19.5 cm), The Museum of Modern Art, New York, Gift of Celeste Bartos

    505: Living in the Age of the Machine

    Ongoing

    Collection gallery

    MoMA

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