Projects 32: Art Spiegelman

Dec 17, 1991–Jan 28, 1992

MoMA

Installation view of Projects 32: Art Spiegelman at The Museum of Modern Art, New York. Photo: Mali Olatunji

An exhibition of work by Art Spiegelman, an artist who has made his mark on many aspects of cartooning, Projects 32 coincides with the publication of MAUS II: A Survivor’s Tale, and Here My Troubles Began, the second volume of Spiegelman’s two-volume cartoon-strip book that tells the story of his father’s experience of the Holocaust. The installation includes all the original pages for both parts of MAUS, as well as ancillary sketches, preparatory drawings and layouts of individual sections, and source materials used by Spiegelman.

Art Spiegelman has spent over a decade working on MAUS, a landmark in the transformation of comic-book art which began in the 1960s. MAUS and MAUS II follow the tribulations of Vladek Spiegelman from the ghetto to Auschwitz to the Catskills. At the same time, the books also reveal the difficult relationship between the artist and his aging father. In these cartoons, the Jews are depicted as mice, Germans as cats, and Poles as pigs. Such animal symbolism has frequently been used to tell fables, but here it serves to make us remember and reconsider harsh historical events and their complex psychological legacy. Immensely powerful in its combination of humor, horror, and pathos, Spiegelman’s narrative is graphic in every sense.

Organized by Robert Storr, curator, Department of Painting and Sculpture.

  • This exhibition is part of The Elaine Dannheisser Projects Series.
  • The Projects series is made possible by generous grants from The Bohen Foundation, The Contemporary Arts Council of The Museum of Modern Art, and the National Endowment for the Arts.

    Publications

    • Projects 32 : Art Spiegelman : The Museum of Modern Art, New York, December 17-January 28, 1992 Out of print, 6 pages
    • Master checklist 5 pages
    • Press release 2 pages

    Installation images

    How we identified these works

    In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.

    If you notice an error, please contact us at [email protected].

    Licensing

    If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

    MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

    If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

    Feedback

    This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].