- Floor 4, Collection Galleries
Picasso Sculpture is a sweeping survey of Pablo Picasso’s innovative and influential work in three dimensions. This will be the first such museum exhibition in the United States in nearly half a century.
Over the course of his long career, Picasso devoted himself to sculpture wholeheartedly, if episodically, using both traditional and unconventional materials and techniques. Unlike painting, in which he was formally trained and through which he made his living, sculpture occupied a uniquely personal and experimental status for Picasso. He approached the medium with the freedom of a self-taught artist, ready to break all the rules. This attitude led him to develop a deep fondness for his sculptures, to which the many photographs of his studios and homes bear witness. Treating them almost as members of his household, he cherished the sculptures’ company and enjoyed re-creating them in a variety of materials and situations. Picasso kept the majority in his private possession during his lifetime. It was only in 1966, through the large Paris retrospective Hommage à Picasso, that the public became fully aware of this side of his work. Following that exhibition, in 1967 The Museum of Modern Art organized The Sculpture of Picasso, which until now was the first and only exhibition on this continent to display a large number of the artist’s sculptures.
Picasso Sculpture focuses on the artist’s lifelong work with sculpture, with a particular focus on his use of materials and processes. The exhibition, which features more than 100 sculptures, complemented by selected works on paper and photographs, aims to advance the understanding of what sculpture was for Picasso, and of how he revolutionized its history through a lifelong commitment to constant reinvention. The exhibition is organized in chapters corresponding to the distinct periods during which Picasso devoted himself to sculpture, each time exploring with fresh intensity the modern possibilities of this ancient art form.
Timed tickets are required for entry to Picasso Sculpture.
A limited number of same-day timed tickets will be available onsite, depending on capacity. Timed tickets are not required for MoMA members, Corporate Members, and accompanied guests.
Related classes: Invention, Improvisation, and Irreverence in Pablo Picasso’s Sculpture and Push/Pull: Material Practices and Pablo Picasso’s Sculpture.
Organized by The Museum of Modern Art in collaboration with the Musée national Picasso – Paris. Organized by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, and Anne Umland, The Blanchette Hooker Rockefeller Curator of Painting and Sculpture, The Museum of Modern Art; with Virginie Perdrisot, Curator of Sculptures and Ceramics at the Musée national Picasso – Paris.
The exhibition at MoMA is made possible by Hyundai Card.
Major support is provided by Monique M. Schoen Warshaw, Marie-Josée and Henry Kravis, Robert Menschel and Janet Wallach, and Sue and Edgar Wachenheim III.
Generous funding is provided by Judy and John M. Angelo and by Cornelia T. Bailey.
Additional support is provided by the MoMA Annual Exhibition Fund with major contributions from an anonymous donor, The Contemporary Arts Council of The Museum of Modern Art, Glenn and Eva Dubin, Blavatnik Family Foundation, The Donald R. Mullen Family Foundation, Inc., The Junior Associates of The Museum of Modern Art, Mimi and Peter Haas Fund, Franz Wassmer, Gary and Karen Winnick, and from Susan and Leonard Feinstein Foundation.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
Support for the publication is provided by The International Council of The Museum of Modern Art and by the Jo Carole Lauder Publications Fund of The International Council of The Museum of Modern Art.
Education programs for this exhibition are made possible by a partnership with Volkswagen of America.
MoMA Audio+ is supported by Bloomberg Philanthropies.