How have Black innovation and prosperity persisted in the face of economic exclusion and racial violence? How does innovation relate to self-determination for Black Americans? And what if safety and equity were guaranteed?
This conversation will take histories of Black invention and affluence as starting points to imagine new conditions for the present and future. It brings together architects, artists, and audience members around key questions raised in the exhibition Reconstructions: Architecture and Blackness in America. The discussion will be moderated by Tracie Hall, executive director of the American Library Association.
This event is free, open to all, and takes place over Zoom meeting. Register now.
Tracie Hall is the tenth Executive Director of the nearly 150 year-old, 56,000 member American Library Association. Deeply invested in the intersection of arts, literacy, and economic access, Hall is the recipient of numerous awards for her creative and community work, and is Founding Curator of the experimental arts space Rootwork Gallery in Chicago.
Walter Hood is the creative director and founder of Hood Design Studio and is Professor of Landscape Architecture and Environmental Planning and Urban Design in the College of Environmental Design at the University of California, Berkeley. As a landscape and public artist he creates urban spaces that resonate with and enrich the lives of current residents while also honoring communal histories.
Rick Lowe is an artist who champions people and communities through social practice-based art projects. In 1993 Lowe co-founded Project Row Houses, an arts and cultural community located in Houston’s significant, historical Third Ward – one of the city’s oldest African American neighborhoods. He uses creativity as a catalyst for change and for empowering people across economic, social and political realms.
Amanda Williams is a visual artist who trained as an architect. Her creative practice employs color as a way to draw attention to the complexities of race, place and value in cities. The landscapes in which she operates are the visual residue of the invisible policies and forces that have misshapen most inner cities. Williams’ installations, paintings and works on paper seek to inspire new ways of looking at the familiar and in the process, raise questions about the state of urban space and citizenship in America.
This event will have live captioning. American Sign Language (ASL) interpretation is available for public programs upon request with two weeks advance notice. A PDF of the presentation is available in advance upon request. MoMA will make every effort to provide accommodation for requests made with less than two weeks notice. Please contact [email protected] or (212) 708-9781 to make a request for accommodations.
This session will be led virtually through Zoom, a free video-conferencing software. Participants should have access to a computer, smart phone, or tablet with Internet access. Participants may also dial in using a phone line.
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Generous support for Adult and Academic Programs is provided by the Agnes Gund Education Endowment Fund for Public Programs, The Junior Associates of The Museum of Modern Art Endowment for Educational Programs, and the Jeanne Thayer Young Scholars Fund. Additional support is provided by the Annual Education Fund.