*Rotting Wood, the Dripping Word: Shūji Terayama’s Kegawa no Marii* at MoMA PS1 as part of VW Sunday Sessions. © 2016 MoMA PS1, New York. Photo: Charles Roussel

Throughout April 2016, Madison and Lutz-Kinoy, together with a group of collaborators, have been revisiting Terayama’s legacy through film screenings, historical research, an outdoor display, musical scores and theater rehearsals, culminating in two live performances of the play, Kegawa no Marii (”La Marie-Vison”), 1967.

In the play, Marie, a middle-aged prostitute enamored of all things Western, is raising an adopted son, Kin’ya. Kin’ya is kept behind locked doors, while Marie simulates the outside world for him. A cast of hired helpers and supernatural beings support her to keep the simulation going while she plays out her manipulative character. The play casts the family unit as a structure of deception and control, and as a metaphor for other social institutions that must be abandoned, a theme which runs through Terayama’s entire oeuvre.

Focused less on historical accuracy, Madison and Lutz-Kinoy’s interpretation embraces the spirit of collaboration and communal creativity advocated by Terayama and his Tokyo-based company Tenjo Sajiki. Founded in 1967 and mainly consisting of runaway teens, the amateur theater group functioned in its many different constellations as the breeding ground for Terayama’s prolific output until his untimely death at the age of 47.​

Lutz-Kinoy and Madison are joined by Berlin-based director Ariel Efraim Ashbel and two of his regular actors, Jessica Gadani and $hubi, the Tokyo-based performance artist Cobra, New York-based performer Ezra Azrieli Holzman, New York-based band, STEIKETO, comprised of Stefan Tcherepnin, Veit Laurent Kurz(Steit) and Taketo Shimada, San Antonio-based writer William Z Saunders, New York-based artists Leigha Mason, Elizabeth Orr, Jessie Stead and Hanna Törnudd, fashion label ECKHAUS LATTA, and New York-based child performers Charlotte Beede, Maeve Press, Amaya Press, Miles Sherr-Garcia and Bette Sherr-Garcia.

In conjunction with this project Sunday Sessions screens Shūji Terayama’s feature film, Throw Away Your Books, Rally in the Streets, 1971 on Saturday April 16 at 6.30 p.m.

MoMA PS1’s acclaimed VW Sunday Sessions performance series welcomes visitors to experience and participate in live art. Since its founding in 1976, MoMA PS1 has offered audiences one of the most extensive programs of live performance in the world. VW Sunday Sessions highlights artists responding to contemporary social and political issues through a wide variety of creative and critical lenses. Encompassing performance, music, dance, conversation, and film, the series develops and presents projects by established and emerging artists, scholars, activists, and other cultural instigators. With a focus on artists that blur and break traditional genre boundaries, VW Sunday Sessions embraces the communities in New York City that create and sustain artistic practice.

Since 2012, VW Sunday Sessions has presented a commissioning program resulting in new work by Trajal Harrell, Mårten Spångberg, Anne Imhof, Tobias Madison and Matthew Lutz Kinoy, Hannah Black, and Colin Self. Additionally, the VW Dome Artist Residency offers a platform for creative development and experimentation for artists at all stages of the creative process.


With Special Thanks to Pro Helvetia.

Tobias Madison and Matthew Lutz-Kinoy, Rotting Wood, the Dripping Word: Shūji Terayama’s Kegawa no Marii, 2016, is a MoMA PS1 Commission as part of Sunday Sessions.

Sunday Sessions is organized by Jenny Schlenzka, Associate Curator; Alex Sloane, Curatorial Assistant; Taja Cheek, Curatorial Assistant; Rosey Selig-Addiss, Associate Producer; and Lucy Lie, Production Assistant.

Volkswagen logo

Sunday Sessions and the VW Dome at MoMA PS1 are made possible by a partnership with Volkswagen of America.

  1. Sunday, April 24, 2016,
    4:006:00 p.m.

    MoMA PS1
  2. Saturday, April 23, 2016,
    4:006:00 p.m.

    MoMA PS1
This performance is part of VW Sunday Sessions.