Jonas Mekas famously disliked the term “experimental film” and discouraged its use to describe his work and that of his comrades in the New American Cinema. Millennium Film Workshop instead chose “Personal Cinema” as the descriptor for our ongoing series presenting new work from individual moving-image artists—a term we think would have been a lot more agreeable to Jonas. This program, which takes its name from the subtitle of Mekas’s own Walden (1968), features works in the diaristic style he pioneered, illustrating the idea of “Personal Cinema” in its purest form.
The Male GaYze. 1990. USA. Directed by Jack Waters. 16mm. 11 min.
Cicatrix. 1995. USA. Directed by Liz Roberts. 16mm. 10 min.
Subway. 1968. USA. Directed by Holly Fisher. Digital. 5 min.
Pregnancy Dreams. 1979. USA. Directed by Barbara Rosenthal, Bill Creston. Digital. 4 min.
Providence. 2026. USA. Directed by Erica Schreiner. Digital. 7 min.
LESPRI. 2024. USA. Directed by Jard Lerebours. Digital. 3 min.
A Sleepless Night. 2025. USA. Directed by Devon Narine-Singh. Digital. 8 min.
Loose Change. 2014. USA/Haiti. Directed by Victoria Campbell. Digital. 4 min.
4 A M. 2017. USA. Directed by Saint Piñero. Digital. 3 min.
A Body (sur)renders / Un Cuerpo (se)rinde. 2022. USA. Directed by Anton Astudillo. Digital. 8 min.
Genomic Memory. 2024. USA. Directed by Shahkeem Williams. Digital. 4 min.
I Don’t Have Money To Buy New Underwear. 2024. USA. Directed by Jayson James Sloan. Digital. 2 min.
Interior Shot. 2023. USA. Directed by Charles de Agustin. Digital. 9 min.
Inferno. I saw you on my way to the garden. 2024. USA. Directed by Priyanka Das. Digital. 6 min.
Morsel Beach. 1997. USA. Directed by George Kuchar. Digital. 4 min.
Program approx. 88 min.