Sarah Maldoror’s friendships with poets and political thinkers like Aimé Césaire, Louis Aragon, Léopold Sédar Senghor, and Léon-Gontran Damas profoundly shaped her life in theater, cinema, and activism. Program 60 min.
Aimé Césaire, Un homme une terre (Aimé Césaire, A Man, A Land). 1977. France/Martinique. Directed by Sarah Maldoror. DCP. In French; English subtitles. 47 min.
Interweaving interviews, images of the Martinique landscape, and scenes from her play The Tragedy of King Christophe (1963), Sarah Maldoror paints a portrait of her friend Aimé Césaire, the Martinican author of the still-polemical Discourse on Colonialism (1950) and a founder of the Négritude movement.
Et les chiens se taisaient (And the Dogs Were Silent). 1978. France. Directed by Sarah Maldoror. Screenplay by Maldoror, based on a play by Aimé Césaire. With Gabriel Glissant, Maldoror. DCP. In French; English subtitles. 13 min.
Amid the African statues and masks in the storerooms of the Musée de l’Homme in Paris, a rebel recites an anti-slavery poem, drawn from a play by Aimé Césaire, in the presence of his mother.