Inventing Abstraction, 1910–1925
Floor 5
-
Introduction to the exhibition Inventing Abstraction, 1910–1925
-
Pablo Picasso. Woman with a Mandolin. 1910
-
Arnold Schoenberg-Vasily Kandinsky encounter
-
Vasily Kandinsky. Komposition V (Composition V). 1911
-
František Kupka. Localisation des mobiles graphiques II (Localization of graphic motifs II). 1912–13
-
Sonia Delaunay. Sonia Delaunay and Blaise Cendrars. La Prose du Transsibérien et de la petite Jehanne de France (Prose of the Trans-Siberian and of little Joan of France). 1913. 1913
-
Fernand Léger. Fernand Leger. Contrasts of Forms series. 1912-14. 1913
-
Guillaume Apollinaire. Case d’Armons (Artillery-carriage compartment for personal effects). 1915
-
Morgan Russell, Synchromy in Orange: To Form, 1913–14
-
Filippo Tommaso Marinetti. Vive la France. (late 1914 - February 1915)
-
Luigi Russolo’s noise music
-
Duncan Grant. Abstract Kinetic Collage Painting with Sound. 1914
-
Arthur Dove. Movement No. 1. before February 1912
-
Georgia O’Keeffe. Blue II. 1916
-
Kazimir Malevich paintings at the “0.10” exhibition, 1915
-
Vladimir Tatlin. Model for Pamiatnik III Internatsionala (Monument to the Third International). Constructed by Tevel’ Shapiro, Sofia Dymshits-Tolstaia, Iosif Meerzon, and Pavel Vinogradov under Tatlin’s direction, 1920; reconstruction 1979
-
Aleksei Kruchenykh. Vselenskaia voina (Universal War). 1916
-
Piet Mondrian. The Trees. 1912
-
Theo van Doesburg. Glas-in-loodcompositie IV (Stained-glass composition IV). Designed for the De Lange House, Alkmaar, 1917
-
Dance: Mary Wigman and Rudolf van Laban
-
Photograms, 1922
-
Der Absolute Film (Absolute Film)