Wikipedia entry
Introduction
Camille Bombois (3 February 1883 – 6 June 1970) was a French naïve painter especially noted for paintings of circus scenes. Bombois was born in Venarey-les-Laumes in the Côte-d'Or, in humble circumstances. His childhood was spent living on a barge and attending a local school until the age of twelve, when he became a farm worker. During his free time he drew and competed in wrestling competitions at local fairs. He became a champion local wrestler before joining a traveling circus as a strongman and wrestler. In 1907, Bombois fulfilled his dream of moving to Paris, where he married and worked as a railway laborer, eventually finding a night job at a newspaper printing plant handling heavy newsprint rolls. Despite the exhausting nature of his job he painted from dawn to dusk, sleeping little. He showed his paintings in sidewalk exhibitions, but his earliest paintings, revealing the influence of the old masters in their subdued use of color, attracted few buyers. 1914 marked the beginning of four-and-a-half years of military service in World War I. Bombois spent much of it on the front line, earning three decorations for bravery. Upon his return home, encouraged that his wife had succeeded in selling a number of his paintings in his absence, he resumed his routine of night labor and daytime painting. In 1922, his sidewalk displays in Montmartre began attracting the attention of collectors. The art dealer Wilhelm Uhde "discovered" him in 1924, and exhibited Bombois' work in the Galeries des Quatre Chemins in 1927. In 1937, his works were shown in the exhibition "Maîtres populaires de la réalité" in Paris. His first solo show was in 1944 at the Galerie Pétridès. Critics compared Bombois' work to that of Henri Rousseau, which it resembled in its naïve drawing, crisp delineation of form, and attention to detail, although Bombois was less of a fantasist than Rousseau. The paintings of his maturity are bold in color, featuring strong contrasts of black, bright reds, blues and electric pinks. Drawing from his own experiences, he often painted circus performers and landscapes with fishermen. His paintings of women are emphatic in their carnality, and his landscapes are notable in their careful attention to space, and to the effects of reflected light on water. Bombois' works are on view in many public collections, notably the Musée Maillol in Paris and the Zander Collection in Cologne. In 2023, Bavarian town of Passau in Germany restituted a painting by Bombois that had been looted from Jewish collector Marcel Joseph Monteux, who was murdered in Auschwitz-Birkenau on August 15, 1944.
Wikidata
Q683264
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
Comment on works: architecture
Nationality
French
Gender
Male
Roles
Artist, Manufacturer, Landscapist, Painter
Names
Camille Bombois, Camille Aristide Bombois, Bombois
Ulan
500024562
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

1 work online

Exhibitions

Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].