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Wikipedia entry
Introduction
Jerry Norman Uelsmann (June 11, 1934 – April 4, 2022) was an American photographer. As an emerging artist in the 1960s, Jerry Uelsmann received international recognition for surreal, enigmatic photographs (photomontages) made with his unique method of composite printing and his dedication to revealing the deepest emotions of the human condition. Over the next six decades, his contributions to contemporary photography were firmly established with important exhibitions, prestigious awards and numerous publications. Among his awards were a Guggenheim Fellowship, National Endowment, Royal Photographic Society Fellowship, and Lucie Award. Uelsmann described his creative process as a journey of discovery in the darkroom (visual research laboratory). Going against the established practice of previsualization (Ansel Adams, Edward Weston and others), he coined a new term, post-visualization. He decided the contents of the final print after rather than before pressing the shutter button. Uelsmann constructed his dreams like a visual poet with results that often seemed emotionally more real than the factual world. By the 1980s he became one of the most collected photographers in America. His work influenced generations of both analog and digital photographers. Although he admired digital photography, he remained completely dedicated to the alchemy of film photography in the black and white darkroom.
Wikidata
Q1285072
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Getty record
Nationality
American
Gender
Male
Roles
Artist, Photographer
Names
Jerry Uelsmann, Jerry N. Uelsmann
Ulan
500095150
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Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

26 works online

Exhibitions

View all 15 exhibitions

Publication

  • The Shape of Things: Photographs from Robert B. Menschel Quentin Bajac, 2016 Exhibition catalogue, Hardcover, 152 pages
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