Tickets

Wikipedia entry
Introduction
Jirō Takamatsu (高松 次郎, Takamatsu Jirō, 20 February 1936 – 25 June 1998) was one of the most important postwar Japanese artists. Takamatsu used photography, sculpture, painting, drawing, and performance to fundamentally investigate the philosophical and material conditions of art. Takamatsu's practice was dedicated to the critique of cognition and perception, through the rendering and variation of morphological devices, such as shadow, tautology, appropriation, perceptual and perspective distortion and representation. Takamatsu's conceptual work can be understood through his notions of the Zero Dimension, which renders an object or form to observe its fundamental geometrical components. Takamatsu isolated these smallest constituent elements, asserting that these elements produce reality, or existence. For Takamatsu the elementary particle represents “the ultimate of division” and also “emptiness itself,” like the a line within a painting—there appears to be nothing more beyond the line itself. Yet, Takamatsu's end goal was not to just prove the presence or object-ness of these elements, but rather to use them as a way to challenge and prove the limits of human perception, leading to his fixation on “absence” or the things that are unobservable. The impact of Takamatsu's practice also has to be considered in terms of his contributions to the avant garde art scenes through his individual practice and work with collectives, as well as the legibility of his work in the discourse of conceptual art and thus the broader international art world.
Wikidata
Q11670443
View or edit the full Wikipedia entry
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Nationality
Japanese
Gender
Male
Roles
Artist, Conceptual Artist, Painter, Sculptor
Names
Jirō Takamatsu, Jiro Takamatsu
Ulan
500123782
View the full Getty record
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

43 works online

Exhibitions

Publication

  • Photography at MoMA: 1960 to Now Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister, 2015 Hardcover, 368 pages
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].