An American photographer, Berenice Abbott was a central figure in and important bridge between the photographic circles and cultural hubs of Paris and New York. She was born in Springfield, Ohio, and in 1918 moved to New York, where she studied sculpture independently, meeting and making vital connections with Marcel Duchamp and Man Ray, leaders of the American avant-garde. In 1921, Abbott moved to Paris and continued her study of sculpture there and, later, in Berlin, before returning to Paris and becoming an assistant at the Man Ray Studio, where she would master photography. Her first solo show was at the gallery Le Sacre du Printemps in Paris in 1926 and featured portraits of the Parisian avant-garde, a practice she continued throughout her years in Paris, as in James Joyce.

It was in 1925 at the Man Ray Studio that Abbott first saw photographs by Eugène Atget. After Atget’s death, in 1927, she collaborated with Julien Levy, of New York’s Julien Levy Gallery, to buy most of Atget’s negatives and prints, bringing them back to New York upon her return in 1929. Abbott’s initiative preserved the archive of this fin-de-siècle French photographer’s studio, which, given its influence on the avant-garde, has become an important chapter of Abbott’s legacy.

Arriving back in New York in 1929, Abbott was struck by the rapid transformation of the built landscape. On the eve of the Great Depression she began a series of documentary photographs of the city that, with the support of the Works Progress Administration Federal Art Project from 1935 to 1939, debuted in 1939 as the traveling exhibition and publication Changing New York, (see Daily News Building, 220 East 42nd Street, Manhattan, Fifth Avenue, Nos. 4, 6, 8, Manhattan, and Cedar Street from William Street, Manhattan. For the rest of her life Abbott advocated for a documentary style of photography as exemplified in this project, while also continuing to promote the work of Atget.

Her work was included in many influential exhibitions of the era, including the Salon de l’escalier, 1928; Fotografie der Gegenwart, 1929; Film und Foto, 1929; and Photography: 1839–1937, 1938; as well as in a solo-exhibition at the Julien Levy Gallery in 1932. In 1970, The Museum of Modern Art hosted a career retrospective.

Introduction by Mitra Abbaspour, Associate Curator, Department of Photography, 2014
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Introduction
Berenice Abbott (July 17, 1898 – December 9, 1991), née Bernice Alice Abbott, was an American photographer best known for her portraits of between-the-wars 20th-century cultural figures, New York City photographs of architecture and urban design of the 1930s, and science interpretation in the 1940s-1960s.
Wikidata
Q231861
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Introduction
Abbott worked in Paris as a darkroom assistant to American Surrealist photographer Man Ray in 1923. Although she is responsible for bringing international recognition to the work of French photographer Eugène Atget, she is best known for her black and white photographs of New York in transition in the 1930s.
Nationalities
American, undetermined
Gender
Female
Roles
Artist, Photographer
Names
Berenice Abbott, Berenice Abbot
ULAN
500020631
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License