415 works online

Throughout his decades-long career as a painter, sculptor, draftsman, and printmaker, Henri Matisse continuously searched, in his own words, “for the same things, which I have perhaps realized by different means.”1 Celebrated as both an orchestrator of tonal harmonies and a draftsman capable of distilling a form to its essentials, he long sought a way to unite color and line in his work. The relationship between these two formal elements can be traced from early works like Dance (I)—in which the side of a dancer’s body, set against fields of rich blue and green, is described in a single, arcing contour—to his late cut-outs like The Swimming Pool, in which the artist discovered a way at the end of his life to “cut directly into vivid color.”2

Matisse was born in 1869 to generations of weavers in Le Cateau-Cambrésis, a northern French town whose woolen mills constituted the main industry. He was raised in nearby Bohain, famous for its luxury fabrics. This early exposure to textiles would shape his visual language: examples from his own collection of carpets and cloths from Europe, Africa, and the Middle East would deeply inform his sense of color and pattern and appear in his compositions.

Taking up painting after first studying law, Matisse studied with the Symbolist Gustave Moreau and participated in Paris’s official Salons. His breakthrough as an artist came during the summers of 1904 and 1905, when the bright sunlight of the South of France inspired him—along with artists like André Derain and Maurice de Vlaminck—to create optically dynamic works of bright, clashing colors that led to these artists being derided with the epithet fauves (wild beasts). Known as Fauvism, the work from this period set him on a career-long path that he described as “construction by colored surfaces.”3 This approach remained central through the various stages of Matisse’s body of work—from his rigorous, abstracted paintings of the 1910s to the decorative, sunlit interiors of his so-called “Nice period” of the 1920s to the radically innovative cut-outs of his last decade.

Though much of his work—whether an ink drawing with a flowing arabesque line or a painting with flat expanses of unmodulated color—looks as if it might have been executed with effortless ease, Matisse cautioned that this effect was only an “apparent simplicity.” In reality, he labored exactingly to achieve the “art of balance, of purity and serenity” of which he dreamed.4

Introduction by Samantha Friedman, Assistant Curator, Department of Drawings and Prints, 2016

  1. “Testimonial,” 1951, in Jack Flam, ed. Matisse on Art (Berkeley and Los Angeles: University of California Press, 1995), p. 207.

  2. Jazz, 1947, in Flam, ibid., p. 172.

  3. “Statement to Tériade: On Fauvism and Color,” 1929, in Flam, ibid., p. 84.

  4. “Notes of a Painter,” 1908, in Flam, ibid., p. 42.

Wikipedia entry
Introduction
Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwɑ matis]; 31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.The intense colorism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (wild beasts). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.
Wikidata
Q5589
View or edit the full Wikipedia entry
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
Matisse became a painter relatively late in life; he was known as the principal protagonist of Fauvism, the first avant-garde movement at the turn of the century. He went on to develop a monumental decorative art, which was innovative both in its treatment of the human figure and in the constructive and expressive role accorded to colour. His long career culminated in a highly original series of works made of paper cut-outs, which confirmed his reputation, with Picasso, as one of the major artists of the 20th century.
Nationality
French
Gender
Male
Roles
Artist, Writer, Designer, Still Life Artist, Painter, Sculptor
Names
Henri Matisse, Henri Emile Benoît Matisse, Anri Matiss, Matisse, מאטיס, הנרי מאטיס, Henri Emile Benoit Matisse, h. matisse, matisse h., H. Matisse, matisse henri
Ulan
500017300
View the full Getty record
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research-and-learning/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].