Wikipedia entry
Albrecht Dürer (; German: [ˈʔalbʁɛçt ˈdyːʁɐ]; Hungarian: Ajtósi Adalbert; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three Meisterstiche (master prints) Knight, Death and the Devil (1513), Saint Jerome in his Study (1514), and Melencolia I (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions.
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The son of a Nuremburg goldsmith of the same name, Albrecht Dürer was a prolific, popular, and widely influential artist. He studied in Venice and brought Italianate painting styles and forms to Germany. He is perhaps best known for having made great advancements in the techniques and art of printmaking.
German, Bavarian
Artist, Author, Designer, Art Theorist, Engraver, Mathematician, Woodcutter, Illustrator, Portraitist, Religious Artist, Painter, Theorist
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Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License



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