El Lissitzky

- Introduction
- Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ; November 23 [O.S. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in collaboration with Van Abbemuseum and leading worldwide scholars on the subject, established the Lissitzky Foundation in order to preserve the artist's legacy and to prepare a catalogue raisonné of the artist's oeuvre.
- Wikidata
- Q152233
- Introduction
- From 1909-1914, Lissitzky attended the Technical High School in Darmstadt, Germany, after which he returned to Moscow. In 1917, he qualified as an architect in that city and two years later, he taught at the Fine Arts Academy in Witebsk, later moving to the Fine Arts Academy in Moscow in 1921. In 1922, Lissitzky worked out of Berlin where he made contact with Bauhaus artists. Here, he first experimented with photography, creating posters and book covers. From 1922 to 1924 Lissitzky worked in Hanover, Germany and began producing photograms, becoming the first artist to use photograms for publicity purposes. Along with Man Ray and László Moholy-Nagy, Lissitsky one of those who refined the use of the photogram. Lissitzky moved to Switzerland in 1924 to receive treatment for tuberculosis. One year later he returned to Moscow and was named a professor at the School of Interior Architecture and continued to produce photographic experiments and collages. From 1932 to 1940, Lissitzky worked for the magazine "USSR in Construction". He worked in a freelance capacity for the magazine which worked to promote the idea of Soviet industrialization.
- Nationalities
- Russian, Soviet
- Gender
- Male
- Roles
- Artist, Architect, Designer, Teacher, Illustrator, Painter, Photographer, Sculptor, Theorist
- Names
- El Lissitzky, El Lazar Lissitzky, El' Lisickij, Eliezer Lisitski, Lazar Markovich Lisi︡tskiĭ, Lazar Markovich Lisitskii, Lazar Markovich Lisitsky, El Lissickij, E. M. Lissitsky, El Lissitsky, Eliezer Lissitsky, Eleazar M. Lissitzky, Eleazar Markovich Lissitzky, Eliezer Lissitzky, Lasar Lissitzky, Lasar Markowitsch Lissitzky, Lazar Lissitzky, Lazar Markovich Lissitzky, El Lisitsky, Eliezer Lisitsky, Eliezer Markovich Lissitzky, El' Lisitsky Lissitzky, Lazar' Lisitsky Lissitzky, Lazar' Markovich Lisitsky Lissitzky, El' Lisitsky Lissitsky, Lazar' Lisitsky Lissitsky, Lazar' Markovich Lisitsky Lissitsky, Eliʻezer Lisitsḳi, Ėlʹ Lisit︠s︡kiĭ, Lazarʹ Markovich Lisit︠s︡kiĭ, E. Lisitsḳi, Lazarʼ Markovič Lisickij, El Lisitsḳi, אליעזר ליסיצקי, א. ליסיצקי, ל. ליסיצקי, Lissitzky
- Ulan
- 500015156
Exhibitions
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Engineer, Agitator, Constructor: The Artist Reinvented
Through Apr 10
MoMA
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511: The Vertical City
Oct 21, 2019–Oct 12, 2020
MoMA
Collection gallery
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512: Abstraction and Utopia
Oct 21, 2019–Oct 12, 2020
MoMA
Collection gallery
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513: Design for Modern Life
Ongoing
MoMA
Collection gallery
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519: Architecture for Modern Art
Ongoing
MoMA
Collection gallery
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El Lissitzky has
75 exhibitionsonline.
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El Lissitzky Solntse na izlete. Vtoraia kniga stikhov, 1913-1916 (The Spent Sun: Second Book of Poems, 1913-1916) 1916
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El Lissitzky U rek vavilonskikh. Natsional'no-evreiskaia lirika v mirovoi poezii (By the Rivers of Babylon: Jewish Lyrics in World Poetry) 1917
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El Lissitzky Sikhes kholin. Prager legende (Small Talk: The Legend of Prague), second edition 1917
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El Lissitzky Sikhes kholin. Prager legende (Small Talk: The Legend of Prague) 1917
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Marc Chagall, El Lissitzky, Unknown Artist Brochure for Schomir Publishing House 1918
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El Lissitzky Four Teyashim (Four Billygoats) by Ben Zion Raskin 1919
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El Lissitzky Cover from Komitet po bor'be s bezrabotitsei (Committee to Combat Unemployment) 1919
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El Lissitzky, Kazimir Malevich O novykh systemakh v iskusstve. Statika i skorost' ( On New Systems in Art: Statics and Speed ) 1919
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El Lissitzky Air de dance pour piano / pesnia pliaska palestinskikh evreev / shira chadashah (Dance Music) 1919
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El Lissitzky Der milner, di milnerin, un di milshtayner (The Miller, His Wife, and Their Millstones) 1919
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El Lissitzky Di hun vos hot gevolt hoben a kam (The Hen that Wanted a Comb) 1919
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El Lissitzky Yingl tsingl khvat (The Mischievous Boy) 1919
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El Lissitzky Part of the Mechanical Setting (Teil der Schaumachinerie) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Anxious Ones (Ängstliche) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky The Globetrotter from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh) 1920
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El Lissitzky Kultur un bildung. Organ fun der idisher apteylung b dem tsentraln bildungs - Kamisariat, nos. 2-3 (25-26) (Culture and Education: Organ for the Yiddish Division of the Central Komisariat for Education) 1920
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El Lissitzky Proun 1920
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El Lissitzky Front cover from Proun 1920
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El Lissitzky Back cover from Proun 1920
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El Lissitzky Manifesto and colophon from Proun 1920
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El Lissitzky Proun 1 from Proun 1920
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El Lissitzky Proun 1 A from Proun 1920
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El Lissitzky Proun 1 C from Proun 1920
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El Lissitzky Proun 1 D from Proun 1920
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El Lissitzky Proun 1 E from Proun 1920
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El Lissitzky Proun 2 B from Proun 1920
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El Lissitzky Proun 2 C from Proun 1920
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El Lissitzky Proun 2 D from Proun 1920
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El Lissitzky Proun 3 A from Proun 1920
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El Lissitzky Proun 5 A from Proun 1920
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El Lissitzky Proun 6 B from Proun 1920
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El Lissitzky Announcer (Ansager) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Sentry (Posten) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Sportsmen (Sportsmänner) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky The Sentinel (Zankstifter) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky An Old Man, His Head Two Paces Behind (Alter) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Gravediggers (Totengräber) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky The New Man (Neuer) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die Plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 1920–21, published 1923
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El Lissitzky Proun 19D 1920 or 1921
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El Lissitzky Wendingen, No. 11 1921
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El Lissitzky, Ben-Zion Tsukherman Tsu shpet. Einakter (Too Late: A One-Act Play) 1921
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El Lissitzky Wendingen vol. 4, no. 11 1921
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El Lissitzky Proun Composition c. 1922
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El Lissitzky "Pro dva kvadrata" by El Lissitzky 1920
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El Lissitzky Composition 1922
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El Lissitzky Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh (About Two Squares: A Suprematist Tale of Two Squares in Six Constructions) 1922
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El Lissitzky Plate from Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh (About Two Squares: A Suprematist Tale of Two Squares in Six Constructions) 1922
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