Haim Steinbach has said his work is “about vernacular, which is a common form of language: things that we make, express and produce.” Steinbach collects and exhibits existing objects—found, bought, gifted—in works he calls “displays.” Working in the tradition of Marcel Duchamp and other artists who have elevated “readymade” mass-produced objects to the status of art, Steinbach also explores the psychological and cultural aspects of collecting and consuming objects.
Steinbach was born in Rehovot, Israel, and moved to New York in 1957. Active in the East Village art scene, he participated in groups such as Fashion Moda, based around an alternative art space in the South Bronx, and Group Material, an artist-run collaborative exhibiting in apartments, subways, and retail spaces. Steinbach made paintings until the mid-1970s, then began using linoleum to make a series called Linopanel. In the late 1970s, he began creating installations, collecting and arranging objects in his first Displays. Display #7 was made from wallpaper strips applied to a wall and found objects arranged on shelves. In 1983–84, he introduced a standardized triangle shelf and continued presenting commercial objects in works like supremely black.
Since 1990, Steinbach has also created objects installed on walls, and introduced cabinets and drawings into his exhibitions. He frequently displays found snippets of text, maintaining the same typeface and layout but enlarging the entire image. He considers these phrases, like the one featured in his work hello again—acquired on the occasion of the Museum’s 2019 reopening—to be a part of his collection of objects. Steinbach has said that he has “a collection of statements, mostly slogans, from pages in magazines, books, and other general printed matter. What interests me is the play in which language becomes an image and image becomes language.”
Introduction by Lydia Mullin, Curatorial Assistant, Department of Painting and Sculpture, 2019
Public Space Artist Commissions
Ileana Sonnabend: Ambassador for the New
Dec 21, 2013–Apr 21, 2014
The Gold Standard
Oct 29, 2006–Jan 15, 2007
Around 1984: A Look at Art in the Eighties
May 21–Sep 30, 2000
Feb 8–Mar 31, 1996
- Haim Steinbach has online.
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].