Mikhail Fyodorovich Larionov (Russian: Михаи́л Фёдорович Ларио́нов; June 3, 1881 – May 10, 1964) was an avant-garde Russian painter. Larionov was also the lifelong partner of fellow Russian avant-garde artist Natalia Goncharova. He was a founding member of the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Goncharova he invented Rayonism (1912–1914). He was also a member of the German-based art movement known as Der Blaue Reiter. Born in Russia, he and Goncharova moved to Paris and lived there until his death.
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Russian, French
Artist, Writer, Fashion Designer, Illustrator, Painter
Mikhail Larionov, Mihajl Fedorovič Larionov, Michail Fjodorovitsch Larionoff, Mikhail Fjodorowitsch Larionoff, Mihaijl Fedorovic Larionov, Mikhail Larionow, Mihail Fjodorovics Larionov, Mikhail Fedorovich Larionov, Mikhail Fedorovich Larionioff, Mikhail Fyodorovich Larionov, Michel Larionow, Mikhail Larjonov, Michail Larionow, Mihaijl Fedorivic Larionov, Larionov
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or, please email If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to

This record is a work in progress. If you have additional information or spotted an error, please send feedback to