Introduction
Max Klinger (18 February 1857 – 5 July 1920) was a German symbolist painter, sculptor, printmaker, and writer. Klinger was born in Leipzig and studied in Karlsruhe. An admirer of the etchings of Menzel and Goya, he shortly became a skilled and imaginative engraver in his own right. He began creating sculptures in the early 1880s. From 1883–1893 he lived in Rome, and became increasingly influenced by the Italian Renaissance and antiquity.
Wikidata
Q44252
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Introduction
German painter and sculptor, best known for his large series of nightmarish etchings. Conscious of, but detached from the new ideas and style of late 19th century Europe, Klinger is difficult to classify, though much of his work can be considered Symbolist. Subjects and influences run the gamut from commentary of prostitution, late 19th century Berlin living conditions, and the philosophy of Arthur Schopenhauer and Friedrich Nietzsche. His "Beethoven Monument" (1899-1902) pays a monstrous homage to the composer, depicted as a Greek god on a large alabaster throne. Comment on works: graphic artist
Nationality
German
Gender
Male
Roles
Artist, Writer, Painter, Sculptor
Names
Max Klinger, Makkusu Kuringa, Makkusu Kuringā, m. klinger, Klinger Max, Monogrammiert M. K.
Ulan
500023867
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

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