Raymond Hains (9 November 1926 – 28 October 2005) was a French artist. Raymond Hains was born in Saint-Brieuc (Côtes-d'Armor) and studied at the Ecole Nationale des Beaux-Arts in Rennes before coming to Paris to present his first exhibition of “hypnagogic” photographs and starting a body of work with torn posters from the streets. In 1960, he signed, along with Arman, Dufrêne, Klein, Tinguely, Villeglé and Pierre Restany, the Manifesto of New Realism. However, he soon distanced himself from the movement to develop his own line of research through the tools of language, analogy, chance and coincidence, revealing the hidden connections between these disparate elements. From the 1950s onwards, Hains took part in several exhibitions and international events such as the “Documenta IV” in Kassel, the first Biennale of Paris, the first shows of The New Realism in Milan and Paris, the exhibitions “Paris-Paris” and “Paris-New York” at the Centre Georges-Pompidou as well as “Westkunst” and “Bilderstreit” in Cologne. His work has been presented in several museums in France and abroad. He was awarded the Kurt Schwitters Prize in 1997. Several famous art critics have written about him and many books have been written about his artwork.
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He studied at the School of fine Art in Rennes and was a founding member of the French Nouveaux Réalistes group. He is known for exhibiting distressed posters, called "décollages," which were found pieces extricated from public locations. He also created photographic works with distorting lenses that he called Hypnagogic Photographs, and sculptural objects.
Artist, Assemblage Artist, Collagist, Installation Artist, Painter, Photographer, Sculptor
Raymond Hains
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