Wikipedia entry
Introduction
Daniel Graham (March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Wikidata
Q698436
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
Graham disavowed Conceptual Art as a term, and identified with no movement or creed, though his work with video, installation, photography, architecture, and text may be considered examples of the genre. He exhibited the work of his peers Donald Judd, Sol LeWitt, and Robert Smithson at the John Daniels Gallery in New York, where he was briefly the curator and director, before showing alongside these and many other Minimalists and Conceptualists during the 1960s and 70s. In the 1980s, Graham became an active observer of New York’s punk and experimental music scenes, collaborating with Sonic Youth and befriending Glenn Branca. His book and film essay Rock My Religion of 1983-1984 linked contemporary music groups to the ecstasy of religious communities. His pavilion structures of glass, steel, and mirrors dominated the latter half of his career, from the 1990s.
Nationalities
American, British
Gender
Male
Roles
Artist, Director, Art Critic, Writer, Conceptual Artist, Installation Artist, Founder, Painter, Performance Artist, Photographer, Sculptor, Video Artist
Names
Dan Graham, Daniel H. Graham, Daniel Harry Graham, Dan Gureamu, Dan Grahan
Ulan
500115596
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

93 works online

Exhibitions

Publications

  • New Ground: Jacob Samuel and Contemporary Etching Exhibition catalogue, Hardcover, 176 pages
  • Signals: How Video Transformed the World Exhibition catalogue, Paperback, 188 pages
  • Information: 50th Anniversary Edition Exhibition catalogue, Paperback, 208 pages
  • Photography at MoMA: 1960 to Now Hardcover, 368 pages
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].