Wikipedia entry
    Introduction
    Gino De Dominicis (Ancona, 1947 – Rome, 1998) was an Italian artist. Controversial protagonist of Italian art after the Second World War, he used various techniques and defined himself as a painter, sculptor, philosopher and architect. His work tends to become independent of both fashions and neo-avant-garde groups. Therefore, it cannot be framed in a specific artistic current: neither in Arte Povera, nor in the Transavanguardia, nor in the conceptual art, which rejected. He surrounded himself with an aura of mystery and unavailability, savoring both exhibitions and public appearances. His reputation developed as much out of an absence as from a presence: he avoided the press and refused to have any of his works reproduced photographically. His first show was at Rome's Galleria L'Attico in 1969. In 1970, he published his Letter on Immortality, a theoretical enunciation of his research, focussing on the theme of time and the conquest of physical immortality, on the subtle confine between visible and invisible. In November 1970 De Dominicis presented at Franco Toselli Gallery in Milan a series of works as the ball, the stone and the invisible cylinder, but also the radioactive object, two identical jars and a cat with a tag announcing the postulate of the "Second Immortality Solution".
    Wikidata
    Q826569
    Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
    Getty record
    Nationality
    Italian
    Gender
    Male
    Roles
    Artist, Painter, Performance Artist, Sculptor, Video Artist
    Names
    Gino De Dominicis, Gino Dominicis, Gino DeDominicis, Gino De Dominicus, Gino de Dominicis
    Ulan
    500088696
    Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

    Works

    1 work online

    Exhibitions

    Licensing

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