Wikipedia entry
Introduction
Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist who worked with assemblage, film, drawing, sculpture, painting, collage, and photography.
Wikidata
Q991589
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Getty record
Introduction
American artist active in San Francisco was first known for his assemblages made of discarded and seemingly decaying objects. He studied at Wichita University and the University of Nebraska, Lincoln where he received a BFA 1956. He also studied at Brooklyn Art School, and the University of Colorado. He was a prolific filmmaker, and was a pioneer in the use of "found footage." Most of his films are constructed from images shot by others and cut to new soundtracks, including popular or underground music. His film "Crossroads" was made entirely with official footage shot of a hydrogen bomb test in the Bikini Atoll set to a soundtrack by Terry Riley. Many of his films are considered precursors to what would become the music video genre. In the 1960s, Conner began making highly detailed ink drawings, referred to as the Mandala Series. In the 1970s and 1980s, concurrent with his filmmaking, he would create two-dimensional collages from 18th and 19th century etchings. He created large-scale photograms of human figures, and a series of black and white photographs documenting underground music in San Francisco during the late 1970s. His later work often incorporated obsessively created inkblots on paper, made with an accordion fold technique.
Nationality
American
Gender
Male
Roles
Artist, Cinematographer, Assemblage Artist, Collagist, Mixed-Media Artist, Painter, Photographer, Sculptor
Names
Bruce Conner, Bruce G. Conner, Bruce Guldner Conner, Emily Feather
Ulan
500116235
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

Works

61 works online

Exhibitions

Publication

  • Photography at MoMA: 1960 to Now Hardcover, 368 pages
Licensing

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

MoMA licenses archival audio and select out of copyright film clips from our film collection. At this time, MoMA produced video cannot be licensed by MoMA/Scala. All requests to license archival audio or out of copyright film clips should be addressed to Scala Archives at [email protected]. Motion picture film stills cannot be licensed by MoMA/Scala. For access to motion picture film stills for research purposes, please contact the Film Study Center at [email protected]. For more information about film loans and our Circulating Film and Video Library, please visit https://www.moma.org/research/circulating-film.

If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].

Feedback

This record is a work in progress. If you have additional information or spotted an error, please send feedback to [email protected].