62 works online
Introduction
Bruce Conner (November 18, 1933 – July 7, 2008) was an American artist who worked with assemblage, film, drawing, sculpture, painting, collage, and photography.
Wikidata
Q991589
View or edit the full Wikipedia entry
Information from Wikipedia, made available under the Creative Commons Attribution-ShareAlike License
Introduction
American artist active in San Francisco was first known for his assemblages made of discarded and seemingly decaying objects. He studied at Wichita University and the University of Nebraska, Lincoln where he received a BFA 1956. He also studied at Brooklyn Art School, and the University of Colorado. He was a prolific filmmaker, and was a pioneer in the use of "found footage." Most of his films are constructed from images shot by others and cut to new soundtracks, including popular or underground music. His film "Crossroads" was made entirely with official footage shot of a hydrogen bomb test in the Bikini Atoll set to a soundtrack by Terry Riley. Many of his films are considered precursors to what would become the music video genre. In the 1960s, Conner began making highly detailed ink drawings, referred to as the Mandala Series. In the 1970s and 1980s, concurrent with his filmmaking, he would create two-dimensional collages from 18th and 19th century etchings. He created large-scale photograms of human figures, and a series of black and white photographs documenting underground music in San Francisco during the late 1970s. His later work often incorporated obsessively created inkblots on paper, made with an accordion fold technique.
Nationality
American
Gender
Male
Roles
Artist, Assemblage Artist, Collagist, Mixed-Media Artist, Photographer, Sculptor
Names
Bruce Conner, Bruce G. Conner, Bruce Guldner Conner, Emily Feather
Ulan
500116235
View the full Getty record
Information from Getty’s Union List of Artist Names ® (ULAN), made available under the ODC Attribution License

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).

All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at firenze@scalarchives.com. Motion picture film stills or motion picture footage from films in MoMA's Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.

If you would like to reproduce text from a MoMA publication or moma.org, please email text_permissions@moma.org. If you would like to publish text from MoMA's archival materials, please fill out this permission form and send to archives@moma.org.

This record is a work in progress. If you have additional information or spotted an error, please send feedback to digital@moma.org.