Last week, in writing about Walt Disney and Snow White, I suggested a seeming disconnect between Disney’s entrepreneurial values and the sunlit, romantic fairyland of his films. This pointed up a possible imperfection in the auteur theory that suggests great filmmakers find a way to make a collaborative effort into a means of personal expression. A good cop-out here would be to say this resulted from Disney’s role as studio head and producer, but that is too easy. I hope to explore this further when we show Pinocchio in a few weeks. Meanwhile, Quai des brumes (Port of Shadows) raises other interesting questions. Read more
TAG: MARCEL CARNÉ
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