Ellen Gallagher. DeLuxe. 2004–05. Portfolio of 60 photogravure, etching, aquatint, and drypoints with lithography, screenprint, embossing, tattoo-machine engraving, laser cutting, and chine collé; and additions of plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes. Acquired through the generosity of The Friends of Education of The Museum of Modern Art and The Speyer Family Foundation, Inc. with additional support from the General Print Fund. © 2012 Ellen Gallagher and Two Palms Press

Over the past six months, my conception of the medium of the print has been reinvigorated and challenged in every respect. I have been working with Sarah Suzuki, Associate Curator of Prints and Illustrated Books, on the exhibition Printin’ (opening February 15), which she cocurated with the artist Ellen Gallagher. Read more

From left: Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Albumen silver print, printed 1978 by Chicago Albumen Works. Abbott-Levy Collection. Partial gift of Shirley C. Burden; Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Gelatin dry plate negative. Abbott-Levy Collection. Partial gift of Shirley C. Burden

Berenice Abbott. Eugène Atget. 1927. Gelatin silver print. Gift of Maria Morris Hambourg

For the first time in more than 25 years, Museum visitors will have the opportunity to enjoy a generous selection of work by the extraordinarily prolific and inventive photographer Eugène Atget (French, 1857–1927). Read more

Jorge Colombo. Greene and Spring. 2011. Image finger-painted from life, on location, on an iPhone screen. Courtesy of the artist

Typically when drawing, painting, or printmaking an artist uses a few different materials such as paper or canvas, as well as ink, pencils, or paint.… what if all you needed to make your print was your smart phone or another gadget with a creative drawing app installed? Read more

In 1992, Rirkrit Tiravanija created an exhibition entitled Untitled (Free) at 303 Gallery in New York. This landmark piece, in which the artist converted a gallery into a kitchen where he served rice and Thai curry for free, has been recreated at MoMA as part of the installation Contemporary Galleries: 1980–Now on view on the second floor. This back office curry kitchen has been replicated to scale, and the artist worked with MoMA to recreate the experience, with curry prepared and served by the Museum’s restaurant staff daily from noon—3:00 p.m.

In this deceptively simple conceptual piece, the artist invites the visitor to interact with contemporary art in a more sociable way, and blurs the distance between artist and viewer. You aren’t looking at the art, but are part of it—and are, in fact, making the art as you eat curry and talk with friends or new acquaintances.

In the video above, Laura Hoptman, curator in the Museum’s Department of Painting and Sculpture, discusses the work, and visitors share their reactions. But come see for yourself, Thai vegetable curry and rice will be served through February 8 only, and the original recipe can be found in the installation.

Diego Rivera. Agrarian Leader Zapata. 1931. Fresco on reinforced cement in a galvanized-steel framework, 93 3/4 x 74

The focus of the exhibition Diego Rivera: Murals for The Museum of Modern Art, currently on view on the second floor, is a set of “portable murals” Rivera made for his retrospective exhibition at MoMA in 1931. Read more

Last month, artist William Pope.L spent a day at MoMA, exploring the collections of artists’ multiples on view in Thing/Thought: Fluxus Editions, 1962–1978. While he was here, he produced the above performance video, which incorporates the Fluxkit to incredibly humorous effect. Read more

Elizabeth Catlett. Mother and Child. 1956. Terra cotta. The Museum of Modern Art, New York. Gift of The Friends of Education of The Museum of Modern Art, The Modern Women's Fund, and Dr. Alfred Gold (by exchange). © 2012 Elizabeth Catlett/Lincensed by VAGA, New York, NY

This past summer, the Museum acquired an important sculpture by the African American artist Elizabeth Catlett (b.1915). Read more

Stepping off the streets of an ever-changing New York into the (also ever-changing) galleries of MoMA, a neatly compact silver trailer sits waiting for you on the second floor, as if ready to whisk you away from the city to embark on an adventure on the open road. Read more

Cover of What is a Print? publication

What Is a Print? (2011), by Sarah Suzuki, Associate Curator in the Department of Prints and Illustrated Books, is a publication that grew out of The Museum of Modern Art’s interactive website of the same name. Read more

Willem de Kooning in his studio. Photo © 2012 Tom Ferrara. Artwork © 2012 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

After meeting Bill de Kooning, one thing that first became apparent was that he had amazing skills of observation. Not only was he more visually active than everyone else but he also appeared to enjoy the act of seeing more than anyone. Read more