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CATEGORY: CONSERVATION

Posts tagged ‘Conservation’
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The Conservation of Henri Matisse’s The Swimming Pool

The centerpiece of the exhibition Henri Matisse: The Cut-Outs, Matisse’s remarkable room-size cut-out The Swimming Pool returns to the MoMA galleries for the first time in more than 20 years. In this video, MoMA’s Department of Conservation shares a behind-the-scenes look at the process of conserving this beloved artwork, and in the text below conservator Laura Neufeld provides background on the project. Read more

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The Art of Picasso as You’ve Never Seen It Before
Cover image of the e-book Picasso: The Making of Cubism 1912–1914, published by MoMA. All works by Pablo Picasso. ©  2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

Cover image of the e-book Picasso: The Making of Cubism 1912–1914, published by MoMA.

MoMA recently launched its first digital-only publication, Picasso: The Making of Cubism 1912–1914, edited by Anne Umland and Blair Hartzell, with Scott Gerson. This immersive, interactive study features over 400 high-resolution images and the latest research on 15 groundbreaking Cubist works created by Picasso between 1912 and 1914, and is available as an iPad app through the App Store, or an interactive PDF through MoMAstore.org. Read more

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MoMA’s Jackson Pollock Conservation Project: Bringing the Project to Conclusion: Restoration of Number 1A, 1948

Jackson Pollock. Number 1A, 1948.  1948. Oil and enamel paint on canvas, 68” x 8’8.” On view at MoMA in a recent acquisitions exhibition in 1950

Jackson Pollock. Number 1A, 1948. 1948. Oil and enamel paint on canvas, 68” x 8’8.” On view at MoMA in a recent acquisitions exhibition in 1950


Readers who have been following the blog will recognize a pattern in our approach to conservation treatment of Number 1A, 1948, the final of three Jackson Pollock paintings that have been the focus of our 18-month project. Read more

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Magritte’s The Enchanted Pose, 1927: Palette Unveiled

As indicated in the previous posts in this series, MoMA paintings conservators and conservation scientists have been studying five Magritte paintings for the past two years in preparation for Magritte: The Mystery of the Ordinary, 1926–1938. Read more

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Magritte’s The Menaced Assassin, 1927—Treatment and Research

As indicated in the previous posts in this series, MoMA paintings conservators Cindy Albertson, Anny Aviram, and Michael Duffy have been studying five Magritte paintings for the past two years in preparation for Magritte: The Mystery of the Ordinary, 1926–1938. Read more

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October 31, 2013  |  Collection & Exhibitions, Conservation
The Discovery of Magritte’s The Enchanted Pose

As indicated in the previous post in this series, MoMA paintings conservators Cindy Albertson, Anny Aviram, and Michael Duffy have been studying five Magritte paintings for the past two years in preparation for Magritte: The Mystery of the Ordinary 1926–1938. Read more

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Revealing the Mystery of Magritte’s Materials and Techniques
From left to right: Conservators Michael Duffy, Anny Aviram, and Cindy Albertson, and Curator Anne Umland in MoMA's Paintings Conservation Lab with René Magritte’s The False Mirror, The Palace of Curtains, III, and The Portrait

From left to right: Conservators Michael Duffy, Anny Aviram, and Cindy Albertson, and Curator Anne Umland in MoMA’s paintings conservation lab with René Magritte’s The False Mirror; The Palace of Curtains, III; and The Portrait

In his polemical 1938 speech “La Ligne de vie (Lifeline),” René Magritte spoke of his “objective representation of objects,” claiming that, “In my view, this detached way of representing things is characteristic of a universal style in which the manias and minor preferences of the individual no longer play any part.” Read more

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MoMA’s Jackson Pollock Conservation Project: Number 1A, 1948
Jackson Pollock. Number 1A, 1948.  1948. Oil and enamel paint on canvas,  68" x 8’8". The Museum of Modern Art, New York. Purchase. © 2013 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York

Jackson Pollock. Number 1A, 1948. 1948. Oil and enamel paint on canvas, 68″ x 8’8″. The Museum of Modern Art, New York. Purchase. © 2013 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York

With study and treatment of One: Number 31, 1950 completed and the painting returned to exhibition, we’re moving on to the final painting of the project: Number 1A, 1948. Read more

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MoMA’s Jackson Pollock Conservation Project: Wrapping Up Treatment of One: Number 31, 1950
A meeting between conservators and curators to view <em>One: Number 31, 1950</em>

A meeting between conservators and curators to view One: Number 31, 1950 as Pollock would have during its creation: laid horizontally

Throughout the project, we’ve been working closely with curators in MoMA’s Department of Painting and Sculpture, and this exchange of ideas surrounding Pollock has enriched and informed the treatment process. During one such meeting, we took advantage of the opportunity to view One: Number 31,1950 as Pollock saw it during its inception: laid horizontally. Read more

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Le Corbusier Kitchen Conservation: Video Update

In the March of 2012, conservators in MoMA’s sculpture conservation lab undertook a yearlong treatment of an original kitchen by Charlotte Perriand and Le Corbusier from the seminal urban construction the Unite d’Habitation. All of the kitchen components (including the drain!) were transported from Marseilles, France, to our lab in New York City, and reassembled for research and treatment. Read more