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MoMA

AUTHOR: FRANCESCA WILMOTT

Posts by Francesca Wilmott
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June 5, 2014  |  Artists, Collection & Exhibitions
Sigmar Polke’s Printed Dots
Installation view of Alibis: Sigmar Polke 1963–2010, The Museum of Modern Art, New York, April 19–August 3, 2014. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany

Installation view of Alibis: Sigmar Polke 1963–2010, The Museum of Modern Art, New York, April 19–August 3, 2014. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany

Within the arsenal of unusual and experimental techniques on clamorous display in Alibis: Sigmar Polke 1963–2010, the artist’s prints are notable for their sly celebration of the halftone dot pattern, the tonal register that has enabled images to be reproduced in newspaper photographs, magazine ads, consumer packaging, etc. since the late 19th century. Read more

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Composing Silence: John Cage and Black Mountain College
Installation view of <i>There Will Never Be Silence: Scoring John Cage’s 4’33"</i>, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

Installation view of There Will Never Be Silence: Scoring John Cage’s 4’33″, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

John Cage first visited Black Mountain College, in Asheville, North Carolina, in April 1948, while on his way to the West Coast with choreographer Merce Cunningham. Though he only stayed in Asheville for a few days—premiering his composition Sonatas and Interludes—the visit proved formative. Read more