MoMA
Posts tagged ‘Yoko Ono’
July 15, 2015  |  Artists, Collection & Exhibitions
Happy (Belated) Birthday to Yoko Ono’s Grapefruit
Installation view of Yoko Ono: One Woman Show, 1960–1971, The Museum of Modern Art, New York, May 17–September 7, 2015. © 2015 The Museum of Modern Art. Photo: Thomas Griesel

Installation view of Yoko Ono: One Woman Show, 1960–1971, The Museum of Modern Art, New York, May 17–September 7, 2015. © 2015 The Museum of Modern Art. Photo: Thomas Griesel

Two weeks ago, while the United States was marking its 239th birthday, The Museum of Modern Art was celebrating the 51st birthday of Yoko Ono’s iconic artist’s book Grapefruit (1964), a compendium of her instruction-based artwork. The book holds special significance for the Museum, as it was one of the first works by Ono acquired by MoMA, and it is currently on view in the exhibition Yoko Ono: One Woman Show, 1960–1971.

July 14, 2015  |  Artists, Learning and Engagement
Notes on Yoko Ono’s White Chess Set
Participants playing an exhibition copy of Yoko Ono’s White Chess Set (1966/2015) in MoMA’s Abby Aldrich Rockefeller Sculpture Garden. All photos: Manuel Martagon. © 2015 The Museum of Modern Art, New York

Participants playing an exhibition copy of Yoko Ono’s White Chess Set (1966/2015) in MoMA’s Abby Aldrich Rockefeller Sculpture Garden. All photos: Manuel Martagon. © 2015 The Museum of Modern Art, New York

“CHESS SET FOR PLAYING AS LONG AS YOU CAN REMEMBER WHERE ALL YOUR PIECES ARE.”

These are the words inscribed on a brass plaque on the underside of Yoko Ono’s original White Chess Set (1966)—a work that is currently on display in the exhibition Yoko Ono: One Woman Show, 1960–1971 (open through September 7, 2015). In conjunction with this show, an exhibition copy of Yoko Ono’s celebrated work is installed and open for public engagement in MoMA’s Abby Aldrich Rockefeller Sculpture Garden throughout the summer.

An event to see the sky through: YOKO ONO MORNING PEACE 2015
Yoko Ono. YOKO ONO MORNING PEACE 2015. Spring 2015. Ink on paper; drawing for the event

Yoko Ono. YOKO ONO MORNING PEACE 2015. Spring 2015. Ink on paper; drawing for the event

This year marks the 50th anniversary of Yoko Ono’s 1965 performance of Morning Piece in New York City. To commemorate Morning Piece and in conjunction with Yoko Ono: One Woman Show, 1960–1971</a>, MoMA and PopRally have organized YOKO ONO MORNING PEACE 2015, a global sunrise celebration on the summer solstice, Sunday, June 21.

June 9, 2015  |  Artists, Collection & Exhibitions
Yoko Ono at MoMA: An Exhibition 50 Years in the Making

Yoko Ono at The Museum of Modern Art. 2015. Photograph by Kishin Shinoyama. Courtesy Lenono Photo Archive, New York. © 2015 Yoko Ono

Yoko Ono at The Museum of Modern Art’s Sculpture Garden. 2015. Photograph by Kishin Shinoyama. Courtesy Lenono Photo Archive, New York. © Yoko Ono 2015

Yoko Ono: One Woman Show, 1960–1971 heralds Ono’s first official solo exhibition at The Museum of Modern Art. However, it is not her first interaction with the Museum. Ono’s engagement with MoMA dates to her arrival onto the New York art scene in the late 1950s and early 1960s.

April 30, 2014  |  Artists, Collection & Exhibitions
Yoko Ono’s Secret Piece
Yoko Ono Grapefruit

Yoko Ono. Grapefruit. 1964. Artist’s book (Tokyo: Wunternaum Press). Offset on paper, 5 1/2 x 5 1/16″ (13.9 x 13.8 x 3.1 cm) (overall, closed)

Many of the works featured in the exhibition There Will Never Be Silence: Scoring John Cage’s 4’33” were created around 1960, as a generation of artists and students of John Cage reacted to the radical possibilities opened up by his 4’33”. The score had finally been published eight years after its first performance at Woodstock in 1952.

January 30, 2013  |  Artists, Collection & Exhibitions, Fluxus
Exhibiting Fluxus: Mapping Hi Red Center in Tokyo 1955–1970: A New Avant-Garde
Tokyo 1955-70: A New Avant-Garde

Installation view of entrance to Tokyo 1955–1970: A New Avant-Garde at The Museum of Modern Art, November 19, 2012–February 25, 2013. Photo: Jonathan Muzikar

Fluxus currents flow throughout the exhibition Tokyo 1955-1970: A New Avant-Garde, not only in the graphic scores discussed in my last blog post, but also in a section devoted to the experimental art collective Hi Red Center.

December 21, 2012  |  Collection & Exhibitions
Exhibiting Fluxus: Keeping Score in Tokyo 1955–1970: A New Avant-Garde
Installation view Tokyo 1955–1970: A New Avant-Garde

Installation view of “Sogetsu Art Center and Fluxus” display in Tokyo 1955–1970: A New Avant-Garde at The Museum of Modern Art, November 19, 2012–February 25, 2013. Photo: Jonathan Muzikar

This is the first post in a new blog series entitled Exhibiting Fluxus, showcasing works from the Gilbert and Lila Silverman Fluxus Collection Gift that are currently on view.

March 30, 2011  |  Collection & Exhibitions, Fluxus
Off the Shelf: Vintage Fluxus

This is the first post in the new series Off the Shelf, which explores unique MoMA publications from the Museum Archives.

From left: Front Cover: Yoko Ono. Montage incorporating photographic images of Rolf Jährling, Iain Macmillan, Nancy Mee, and Nori Sato. 1988. © 1988 by Yoko Ono. Back Cover: Milan Knizak. Drawing for catalogue cover. 1988. © 1988 by Milan Knizak.

Endpapers: Ben Vautier. Assholes Wallpaper. c. 1974.

During our intern walkthrough of the exhibition Staging Action: Performance in Photography since 1960, we learned about Yoko Ono and George Maciunas‘s Fluxus Wallpaper</a>, which is displayed along the third-floor hallway at the entrance to Staging Action and Pictures by Women: A History of Modern Photography.

January 25, 2011  |  Events & Programs, Fluxus
Winter Flux

George Maciunas. One Year. 1973–74. Various empty containers and packaging. Above: Alison Knowles. Selections from The Identical Lunch. 1969. Screenprints on canvas. Installation view of both works at MoMA. The Museum of Modern Art. The Gilbert and Lila Silverman Fluxus Collection. Photo: Jason Mandella

This week MoMA launches Instruction Lab in the mezzanine of the Lewis B. and Dorothy Cullman Education and Research Building, inspired by the Fluxus works included in the current Contemporary Art from the Collection exhibition.

Unpacking Fluxus: The Joke’s On Us

Confetti from George Maciunas’s New Flux Year. c. 1967. The Museum of Modern Art. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008

Upon opening an orange faux-reptile-skin box marked only with the typed words “top” and “pull,” we received quite a surprise: out jumped a coiled toy snake and a shower of confetti printed with the words “New Flux Year.” Rattled, we soon found that the joke was on us, as we were left returning every last scrap of paper, along with the spring-loaded snake, back into the box before shutting it carefully.