Leslie Hewitt has a way with space. When I first saw her work (the series Riffs on Real Time at the Studio Museum Harlem), I liked how the pictorial space in the pictures was flattened, calling my attention to the photograph’s surface. Of course, we all know that photographs are two-dimensional, but they can be pretty convincing windows into a seemingly real world. In her work, Leslie counters this illusion by creating pictures wherein space is collapsed, compressed, or disoriented. I was not surprised to learn that she is also a sculptor, which can be seen in her methodical approach to image-making.
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