Three years after the advent of the Portapak (the first portable video recorder), MoMA showed Nam June Paik’s Lindsay Tape (1967) as part of the landmark 1968 exhibition The Machine as Seen at the End of the Mechanical Age, organized by K.G. Pontus Hultén. The piece consisted of two, half-inch reel-to-reel decks that were spaced 10 feet apart, with the tape (Paik’s original!), jerry-rigged together to allow it to loop continuously. After a week on view, the wear on the tape proved too much. It began to break down and was taken off view (and was almost lost to history). Despite this rather daunting introduction to the fragile and fugitive nature of video, the Museum began to formally acquire video works in the late 1970s,

Posts tagged ‘Richard Serra’
August 27, 2012
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Artists,
Behind the Scenes,
Collection & Exhibitions
Richard Serra’s Delineator Comes to MoMA

Richard Serra. Delineator. 1974-75. Installation view on fourth floor of MoMA’s Painting and Sculpture Galleries
Richard Serra’s Delineator (1974-75), in the Museum’s fourth-floor collection galleries, is the newest addition to MoMA’s collection of Painting and Sculpture. The work consists of two rectangular steel plates, each measuring 10’ x 26’ and weighing in at two and a half tons apiece.
October 20, 2011
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Artists,
Collection & Exhibitions
To Collect
“Drawing is a verb,” the artist Richard Serra once said. An important new acquisition for MoMA’s Department of Drawings, Serra’s Verb List (1967–68) serves as a kind of manifesto for this pronouncement.
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