Posts tagged ‘prints’
April 2, 2012  |  Artists, Collection & Exhibitions
Drawing Back the Curtain: David Hammons in Printin’

David Hammons. Untitled (Kool-Aid). 2003. Kool-Aid on paper with terry cloth frame. Collection Alice Kosmin

“I think that art now is putting people to sleep…people aren’t really looking at art, they’re looking at each other and each other’s haircuts.” So proclaimed David Hammons in a 1986 interview.

January 4, 2012  |  Artists, Collection & Exhibitions
A Sprawling World Suspended? Andrea Zittel in the Contemporary Galleries

Stepping off the streets of an ever-changing New York into the (also ever-changing) galleries of MoMA, a neatly compact silver trailer sits waiting for you on the second floor, as if ready to whisk you away from the city to embark on an adventure on the open road.

July 22, 2010  | 
The Strange and Wonderful World of Tabaimo

In my admittedly limited experience, Venice in the summer is hot—water-guzzling, gelato-melting, desperate-for-shade hot—not unlike what we’ve experienced here in New York over the last several weeks. In the summer of 2007, as I dashed between air-conditioned venues at the Venice Biennale, I remember the relief I felt at finding myself in a cool, dark space inside an exhibition hall. I remember equally clearly the work that was on view there, a video, dolefullhouse, by the young Japanese artist Tabaimo.

December 10, 2009  |  Artists
Picasso on Rembrandt

Pablo Picasso. After Rembrandt: Ecce Homo. 1970, published 1978.

Pablo Picasso. After Rembrandt: Ecce Homo. 1970, published 1978. Etching and aquatint. The Museum of Modern Art. The Edgar Wachenheim III Fund, 2009. © 2009 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

There are lots of reasons why a work might be acquired for MoMA’s collection. Sometimes, the intense preparations for an upcoming exhibition provide a great opportunity to step back, take a careful look at what we already have, and see if there are gaps that need to be filled in our holdings of an artist’s work. This was recently the case as we researched an upcoming exhibition that, along with an accompanying catalogue and website, will explore Pablo Picasso’s creative process through the lens of printmaking. We took a close look at MoMA’s Picasso prints by theme, by technique, and by chronology, and discovered that we didn’t have a strong enough representation of Picasso’s late period (from about 1965 to his death in 1973), which has often been overlooked and underappreciated.