Monika Grzymala’s work always pushes the viewer—it forces us to question how we categorize artworks, what they’re made of, and where they can be installed. Monika has worked with adhesive tape, handmade washi paper, and a diverse range of other materials to create large scale drawings-in-space— works that are grounded in the idea of drawing and the artist’s direct engagement with materials, but that expand into three dimensions, filling and shaping the viewer’s own space.
Posts tagged ‘On Line: Drawing Through the Twentieth Century’
Last Chance to See Monika Grzymala and the exhibition On Line: Drawing Through the Twentieth Century
Next Wednesday, February 2, MoMA will present another iteration of Modern Poets, our long-running series of readings and performances in which poets and writers reflect upon modern and contemporary art and culture. This program is presented in conjunction with the exhibition On Line: Drawing Through the Twentieth Century</a>, which explores the transformation of drawing, the potential of mark making, and line and gesture through diverse mediums. Taking the concept of the political line as a point of departure, we have invited a group of international poets selected by Chilean-born poet Cecilia Vicuña—who will also read from her own collection of poems—to share their reflections on this extended notion, as it relates to them personally or to the world more universally.
There’s a long history of dance and performance both inspiring and being influenced by the visual arts. The current MoMA exhibition On Line: Drawing Through the Twentieth Century, on view on the sixth floor, is full of examples of artists trying to capture dancers’ moving bodies in drawings, paintings and sculpture, as well as documenting them on film. If a line is the trace of a point in motion—an idea at the heart of On Line—then a human figure moving through space can be seen as a drawing in air, an insertion of drawing into the time and three-dimensional space of our lived world.
Zilvinas Kempinas’s sculptures are magic. Somehow, the air currents created by two industrial-strength fans turn the two loops of videotape in Double O into a living, dancing sculpture, performing tirelessly for hours in MoMA’s Agnes Gund Garden Lobby.
Teaching artist Mark Epstein has been running our In the Making—On the Line workshops this fall. Through studio activities and in-gallery discussions, he and the teens have been exploring the different definitions of what a line can be, while looking at the various ways in which the artists in the Abstract Expressionist New York and On Line shows have tried to express themselves through this most basic of forms. For this journal, Mark gets in-depth about a very unconventional drawing activity that he created with his students.
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