After seeing Faith Ringgold’s monumental, harrowing painting, American People Series #20: Die (1967), currently installed in the Museum and reading Thomas J. Lax’s incredibly thoughtful and moving post (as well as this recent notice from ARTnews, I was inspired to reflect upon this new acquisition.
Posts tagged ‘MoMA collects’
From the Archives: Faith Ringgold, the Art Workers Coalition, and the Fight for Inclusion at The Museum of Modern Art
“My piece Rainforest IV was developed from ideas I had as early as 1965…. An offer came, which didn’t get realized…I was asked to make a proposal for a park in Washington. The idea was to have a sounding outdoor sculpture, so my mind began turning around. I thought, ‘wouldn’t it be wonderful if each sculpture sounded completely different from the other and the whole could be run by one machine . . . .'” – David Tudor
In Pretty, Dead, Jeff Scher plays with all the stuff film noir dreams are made of: the hardboiled private eye and the femme fatale; the revolver, the slouched hat, the alley brawl, and the twisted corpse; sweat, paranoia, fatalism, destiny. All this is to be found among the nearly 4,000 collages and paintings in watercolor and gouache that compose the work.
From an initial gift of eight prints and one drawing in 1929, MoMA’s collection has bloomed to nearly 200,000 works across six curatorial departments—Painting and Sculpture, Drawings and Prints, Media and Performance Art, Photography, Film, and Architecture and Design—including everything from Pablo Picasso’s Les Demoiselles d’Avignon (1907) to Maya Deren’s lush film Meshes of the Afternoon
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