The Family of Man opened to the public on January 24, 1955. It included 503 works by 273 photographers hailing from 68 countries. The United States Information Agency circulated five copies of the exhibition, which were presented at 88 venues in 37 countries around the world over the next decade. In 1994, a version of the exhibition was permanently installed at the Clervaux Castle in Luxembourg, where visitors today can experience the exhibition as it was seen by more than seven million people over the last 60 years. As significant as that audience might be, it pales in comparison with the number of people who have held in their hands one of the 300,000 copies that have been sold of the accompanying catalogue, also first published in 1955.
Posts tagged ‘MoMA books’
Books are a staple of the gift-giving season, and for good reason. Whether you’re looking for a elegant tome for a colleague, a playful yet smart book kids will love as much as parents, or a classic edition for an art connoisseur, you’ll find a book to suit every taste from MoMA’s award-winning publications. Here are our picks in some of the most popular categories:
The Museum of Modern Art first exhibited Nicholas Nixon’s photographs of the Brown Sisters in 1976, as part of his first-ever solo exhibition titled Longer Views: 40 Photographs by Nick Nixon. The series was in its infancy at the time and only two portraits of the sisters existed,
“One day the artist Henri Matisse cut a small bird from a piece of white paper. It was a simple shape but he liked the way it looked and didn’t want to throw it out. So he pinned it on the wall of his apartment to cover up a stain.”
Thus begins Matisse’s Garden, the story of an endlessly curious artist who used scissors and painted paper to make something utterly new. Written by Samantha Friedman, an assistant curator at MoMA and co-organizer of the exhibition Henri Matisse: The Cut-Outs, and featuring colorful cut-paper illustrations by Italian designer Cristina Amodeo, it’s an immersive introduction to Matisse’s vibrant cut-outs.
MoMA recently launched its first digital-only publication, Picasso: The Making of Cubism 1912–1914, edited by Anne Umland and Blair Hartzell, with Scott Gerson. This immersive, interactive study features over 400 high-resolution images and the latest research on 15 groundbreaking Cubist works created by Picasso between 1912 and 1914, and is available as an iPad app through the App Store, or an interactive PDF through MoMAstore.org.
Maira Kalman—much-beloved artist, illustrator, writer, designer, and New Yorker—has been collecting vintage photographs for 30 years, seeking them out at antique shops, flea markets, and countless other places in the city and during her travels.
Beginning in the mid-1990s, a loose affiliation of filmmakers, graduates of the German Film and Television Academy in Berlin, began creating films that offered a new, aesthetically-driven form of cinema.
In 1947, The Museum of Modern Art published a deluxe portfolio of The Prints of Paul Klee, a luxurious green ribbon-bound box encasing 40 individual prints of Paul Klee’s etchings and lithographs, and a booklet by James Thrall Soby, then Chairman of the Museum’s Department of Painting and Sculpture.
Young Frank, Architect, MoMA’s first storybook for kids ages three to eight, follows the adventures of Young Frank, a resourceful young architect who lives in New York City with his grandfather, Old Frank, who is also an architect. Young Frank sees creative possibilities everywhere, and likes to use anything he can get his hands on—macaroni, old boxes, spoons, and sometimes even his dog, Eddie—to creates things like chairs out of toilet paper rolls and twisting skyscrapers made up of his grandfather’s books. But Old Frank is skeptical; he doesn’t think that’s how REAL architects make things.
One day, donning matching bow ties, straw boater hats, and Le Corbusier-inspired glasses, they visit The Museum of Modern Art, where they see the work of renowned architects like Frank Gehry and Frank Lloyd Wright. And they learn that real architects do in fact create wiggly chairs, twisty towers, and even entire cities. Inspired by what they see, Young Frank and Old Frank return home to build structures of every shape and size: “tall ones, fat ones, round ones, and one made from chocolate chip cookies.”
Written by award-winning children’s author and illustrator Frank Viva, a frequent cover artist for The New Yorker whose previous books include Along A Long Road and A Long Way Away, Young Frank, Architect is an inspiration for budding architects as well as a lesson for those who think they’ve seen everything. With its rich color palette of grays, olives, ambers, and cream (it’s printed using nine colors instead of the usual four), it’s a great introduction to MoMA’s diverse architecture and design collection, which includes surprising objects like Arthur Young’s helicopter in addition to furniture and architectural models.
Young Frank, Architect is a MoMA Exclusive for the month of August, meaning it’s available only at the MoMA Stores now through its wide release in September. Snag a copy and spend the dog-days of August exploring architecture. What will it inspire you to build?
To see more of Young Frank’s adventure, check out our video book trailer below.
In 1961 Claes Oldenburg opened a store in the Lower East Side of Manhattan, five years after his official arrival in New York. For two months, Oldenburg hawked commonplace objects out of his storefront: ice cream, oranges, cigarettes, hats, shoes, all things that could be found in surrounding stores, but here, they were specially crafted and singular, specific to the artist and his studio-cum-store. In Claes Oldenburg: Writing on the Side 1956–1969, Oldenburg describes his project neatly:
“The Store, or My Store, or the Ray Gun Mfg. Co., located at 107 East 2nd St., NYC, is eighty feet long and is about ten feet wide. In the front half, it is my intention to create the environment of a store by painting and placing (hanging, projecting, lying) objects after the spirit and in the form of popular objects of merchandise, such as may be seen in store windows of the city, especially in the area where The Store is (Clinton St., for example, Delancey St., 14th St.).
This store will be constantly supplied with new objects, which I will create out of plaster and other materials in the rear half of the place. The objects will be for sale in The Store.”
—Claes Oldenburg (1961)
The excerpt included above is just one of a variety of collected written works in Writing on the Side, the first compilation dedicated to Oldenburg’s writings. Organized chronologically, the book contains diary entries, poems, notes, statements, and sketches, grouped by chapter with titles like: “Fear of New York 1956–1958,” and “Object Consciousness 1965–1967.” The book serves as a written history of Oldenburg’s artistic presence in the 1960s, much of it composed on a typewriter kept in his studio.
Diary entries and notes preceding the opening of The Store evidence Oldenburg’s investment in the seemingly unexceptional: Oldenburg documents every sandwich, coffee, and beer consumed, the names of cafés and restaurants frequented (many of which no longer seem to exist, upon cursory Google searches) with as much care taken to describe creative ideation and art events. In this way, the writings are an important companion to Oldenburg’s body of work, giving insight into this formative period in his career as well as a unique view into a New York that no longer seems to exist (check out what Oldenburg’s store looks like now).
Oldenburg will perform a reading from Writing on the Side at MoMA at 6:00 p.m. on June 28, followed by a reception and book signing. More information about the event can be found here.
Claes Oldenburg: The Street and The Store is on view through August 5 on the sixth floor in the International Council of The Museum of Modern Art Exhibition Gallery.
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