Posts tagged ‘Les Demoiselles d'Avignon’
March 1, 2010  |  Events & Programs
The Masks We Wear: Identity, Art, and AIDS

Photo: Aaron Wojack

When I took over the Community Outreach Coordinator position three years ago, Housing Works was the first organization that I reached out to and brought in as a new Community Partner. The largest community-based AIDS organization in the United States, for the past 20 years they have tackled the twin crises of HIV/AIDS and homelessness, offering housing, medical and mental health care, meals, job training, drug treatment, HIV prevention education, and social support to over 20,000 New York City residents.

February 9, 2010  |  Artists
Portrait in Seven Shades: Picasso

When Wynton Marsalis, the Music Director at Jazz at Lincoln Center, asked me to compose a long-form piece that could take any direction as long as it had a theme, it didn’t take me long to come up with a truly inspiring concept: music based on art. In Portrait in Seven Shades, each movement is dedicated to a different painter, and while it was hard to narrow my selection down to only seven artists, there were a few choices that were obvious to me—one of them being Picasso.

January 18, 2010  |  Events & Programs
Behind the Frame: Picasso, Barack, and Me

Pablo Picasso. Vallauris Exposition 1955 (1955 Exposition de Vallauris). 1955. Linoleum cut, 26 x 21 1/8" (66 x 53.7 cm), sheet: 35 1/4 x 23 3/8" (89.5 x 59.4 cm). Printer: Arnéra. Publisher: Arnéra. The Metropolitan Museum of Art, New York. The Mr. and Mrs. Charles Kramer Collection, Gift of Mr. and Mrs. Charles Kramer. © 2010 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

A few months back I was perusing The New York Times when I was stopped in my tracks by a picture of Barack Obama in his office at the University of Chicago. Being a former Second City citizen, I immediately felt a sense of kinship of place, but I was even more astonished to see hanging in his office the exact same Picasso print—a black and white devil-like image, a poster for 1955 Exposition de Vallauris—that  hangs on the wall of my living room. I always look around people’s homes and offices for signs of who they are and what choices they make, but when I saw that Picasso work, I knew that Barack and I clearly had affinities! Not everyone makes the same choices or likes the same things—but we chose the same image to look at day in and day out. What did that say about us?

I had bought that print, probably not a “real” print, when I was seventeen years old. Pablo Picasso was perhaps my first real love. Growing up in Niagara Falls, Canada, where there is a wax museum literally on every corner (no wonder I ended up in this line of work!), I first met Picasso at the public library. The art section of the Dewey Decimal system was like my private zip code. I remember finding book about Picasso and Gertrude Stein and falling into a deep, deep swoon. I imagined myself living the salon life, with every conversation, morsel of food, or flirtation the catalyst for a painting or poem. My paintings, made late in the night, the only time an artist can work (teen or not), were inflected with Picasso’s lines, colors, and passions. Picasso sustained me through my teenage years. However, as I was indoctrinated into the art world of the mid-1970s during art school, I quickly came to realize that not only was my Picasso-influenced work not cool, but that he didn’t wear very well. I secretly pined in front of Guernica for my lost love during the obligatory visit to MoMA with my fellow students and professors.