Just after I’d accepted my job at MoMA, I brought my six-year-old son along with me to visit. He entered the Marron Atrium and, with a sweeping, 360-degree review and an air of finality, announced, “I like your new museum, mom.” Good thing it passed muster.
I often wonder what it is to grow up in a museum. From the time he was two, Ethan had a steady diet of contemporary art. Bridges made of Meccano sets; entire cities built of pots and pans; rooms glowing with neon tubes; walls covered with “parades” of people made from ripped black construction paper; cars and trailers jack-knifed, emerging out of a museum plaza; metal squares on the floor, perfect for playing hopscotch—to Ethan, art always seems full of possibilities.
His own “work” attests to that, as we find colored-tape installations proliferating throughout our apartment—often accompanied by an objet trouvé repurposed in interesting ways, or a small love note to mom and dad.
Ethan, now nine, accompanied me to the office last week.