Some visitors to MoMA’s Endless House: Intersections of Art and Architecture exhibition tell me Frederick Kiesler’s designs don’t have enough windows. His Endless House couldn’t have connected the inhabitants with their environment, they say, comparing Kiesler’s model to Ludwig Mies van der Rohe’s Farnsworth House, a glass and steel box intended to float among the trees.
Posts tagged ‘Endless House: Intersections of Art and Architecture’
Like most people I like to think that I’m open-minded, so I’m always a little surprised when I find myself caught short by my own conventional thinking. On a recent visit to COSMO, the 2015 winning Young Architects Program project by Andrés Jaque / Office for Political Innovation, I noticed my concept of architecture had somehow reset itself to the limited default notion of “a structure that would be inhabited by me” when I wasn’t looking.
At the entrance to the current exhibition Endless House: Intersections of Art and Architecture is Frederick Kiesler’s Endless House (1947–60). He envisioned this eclectic, flexible habitat as “a living organism, not just an arrangement of dead material.” He saw the house as a composition of spaces “as elastic as the vital functions.” A selection of drawings features his exhaustive investigation of forms for it, drawings which, through his lively use of ink and superimposition of multiple sketches on transparent overlays, approach animation.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art