This year’s Academy Awards telecast paid tribute to horror films—a genre cited by the presenters as often neglected by the Academy—with a clip reel that featured select masterworks of cinema by directors such as Alfred Hitchcock, Stanley Kubrick, and Roman Polanski. As I watched the montage, I caught glimpses from Beetlejuice (1988), Edward Scissorhands (1990), and Sleepy Hollow (1999). Although I found their inclusion to be a bit incongruous among films like The Exorcist, Carrie, Friday the 13th, Nightmare on Elm Street, Scream, The Ring, and The Blair Witch Project, it nevertheless reaffirmed the popular perception of Tim Burton as a dark, gothic, and macabre filmmaker. Certainly, with Tim’s affinity for skeletons, graveyards, severed heads, and iron maidens—some of the recurrent motifs in his work—the classification of his films into the horror genre would surprise few. However, I propose another genre to be considered when examining Tim’s oeuvre: the musical film.
Posts tagged ‘Academy Awards’
“The Oscars are my Super Bowl”—it’s something of a cliché in our media-obsessed world, especially among twenty-something women such as myself, but there you have it anyway. I’m not a football fan, and to me March madness refers to the stir-craziness that inevitably accompanies the last weeks before spring. But a celebration of the silver screen, of stars established and emerging, of glamorous dresses and fashion flops—that I can get behind.
So it’s with particular relish that I see the annual screening of Academy Award–nominated short documentaries at MoMA each year. Apart from being an invaluable research tool for my local, all-in-good-fun Oscar Pool, seeing the nominees in some of the smaller categories is a great way to add some interest to the ever-lengthening Oscars telecast (not to mention the serious cinematic cred it garners you among your friends).
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