When Joaquín Torres-García returned to his native Uruguay in 1934, he was 60 years old and had lived abroad for more than 40 years. During the first years of his American relocation, before he became the referential Master at Taller Torres-García, he founded and directed the Asociación de Arte Constructivo, the achronym for which—AAC—appears signed on most of his paintings from 1935 to 1938. During these years Torres-García created a series of black-and-white abstract paintings that constitute one of the most striking repertoires of synthetic abstraction ever produced in the Americas.
Posts tagged ‘abstraction’
Throughout the run of Inventing Abstraction, 1910–1925 (December 23, 2012–April 15, 2013) we invited contemporary artists to pick a work and say briefly what they find most compelling about it.
While crossing under the East River during my daily train ride on the LIRR, I recalled the train I took from Paris to London, which passed under a much larger body of water: the English Channel. In the weeks since my trip, I attempted to find a word to describe my journey, and I’ve determined that I experienced a series of crossovers
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